Shape Shifting Quotes

“Contemporary writers use animal-transformation themes to explore issues of gender, sexuality, race, culture, and the process of transformation...just as storytellers have done, all over the world, for many centuries past. One distinct change marks modern retellings, however, reflecting our changed relationship to animals and nature. In a society in which most of us will never encounter true danger in the woods, the big white bear who comes knocking at the door [in fairy tales] is not such a frightening prospective husband now; instead, he's exotic, almost appealing.

Whereas once wilderness was threatening to civilization, now it's been tamed and cultivated; the dangers of the animal world have a nostalgic quality, removed as they are from our daily existence. This removal gives "the wild" a different kind of power; it's something we long for rather than fear. The shape-shifter, the were-creature, the stag-headed god from the heart of the woods--they come from a place we'd almost forgotten: the untracked forests of the past; the primeval forests of the mythic imagination; the forests of our childhood fantasies: untouched, unspoiled, limitless.

Likewise, tales of Animal Brides and Bridegrooms are steeped in an ancient magic and yet powerfully relevant to our lives today. They remind us of the wild within us...and also within our lovers and spouses, the part of them we can never quite know. They represent the Others who live beside us--cat and mouse and coyote and owl--and the Others who live only in the dreams and nightmares of our imaginations. For thousands of years, their tales have emerged from the place where we draw the boundary lines between animals and human beings, the natural world and civilization, women and men, magic and illusion, fiction and the lives we live.”
― Terri Windling, The Beastly Bride: Tales of the Animal People

“She had performed as a shape-shifter with no sense of identity.”
― Laura Gentile, Within Paravent Walls

“Transformation can come in the mysterious guise of shape-shifting, or through a simple change of mind”
― C. R. Strahan, Watercolor

“Now she could smell what the jaguar could smell, odors deeper and richer than anything she had experienced before, layers of smell she could read like Fray Tomás had read the words in her father’s book: the wet decay of leaves, the death fear of a mouse, the poisonous cloy of datura, water and mud and insects, the wind carrying the smell of other animals, the wind itself, and the girl, of course, always the girl with her juicy flesh. The girl smelled incredibly good. Should the jaguar do this? Should Teresa eat herself?”
― Sharman Apt Russell, Teresa of the New World

“I stared at the empty space where he'd been, waiting, waiting, not letting that expression off my face until a warm, strong finger traced a line down the edge of my right wing.

It felt like- like having my ear breathed into.

I shuddered, arching as a gasp came out of me.

And then Rhys was in front of me, scanning my face, the wings behind me. 'How?'

'Shape-shifting,' I managed to say, watching the rain slide down his golden-tan face. And it was distracting enough that the talons, the wings, the rippling darkness faded, and I was left light and cold in my own skin.

Shape-shifting... at the sight of part of the history, the male I had not really let myself remember. Shape-shifting- a gift from Tamlin that I had not wanted, or needed... until now.

Rhys's eyes softened. 'That was a very convincing performance.'

'I gave him what he wanted to see,' I murmured.”
― Sarah J. Maas, A Court of Mist and Fury

“These mysterious and unaccountable incidents by degrees impressed the minds of the inhabitants with terror that cannot be described; no woman or boy would go out of doors after sunset, on any account whatever, and there was scarcely a man who dust venture forth alone after the fall of evening. If they could have been sure that brownies and fairies had only power to assume the human shape, they would not have been nearly such peril and perplexity; but there was no form of any thing animate or inanimate, save that of a lamb, that they were sure of; they were of course waylaid at every turn, and kept in continual agitation.”
― James Hogg, The Brownie of Bodsbeck