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Silver Hair Quotes

Quotes tagged as "silver-hair" Showing 1-14 of 14
“It is naive to think you know someone so well.

To think that whatever time you have shared in knowing their

habits, their history, their stories, their weaknesses, their

strengths, their wounds, and deepest corners of their heart could ever sum them up-- is unjust.
It is a shame to be unaware of the shifts and changes that happen every day, every moment, right before your eyes. The little crinkles around her eyes that get ever-so-slightly deeper and wiser. The silver linings of her hair. The wonders of time and how they show their presence in such ways. You may think that a flower is simply a flower. A flower that looks and smells just as simply as it always has. Or that the ocean is simply salt water and blue. The flower is always moving, changing, blossoming, and giving life to the birds and the bees. The ocean's tides rise and fall with the phases of the moon. The currents change direction. And depending on how the sun hits the water, the colors and shades of blue are in fact, infinite. Everything around you and everyone is always changing. Take time to smell the roses. Take time to watch the tide. Take time to see your love with new eyes. It would be a shame to miss it.”
Kayko Tamaki

Liz Braswell
“Soon Rapunzel's hair spilled out around her like a silver pond sparkling in the sunlight, or a frozen one in the moonlight. When the breeze shifted the branches above, the sun hit her tresses and its light scattered everywhere. The whole area under the tree was illuminated with shifting, dappled scintillations.
Rapunzel wondered what it would look like from far away, from high above: would she look like a funny star? Were all the stars out there maidens with strange hair?”
Liz Braswell, What Once Was Mine

Liz Braswell
“Now directly above her, transiting the meridian, was the new crescent moon. No longer a chalky white, it was as silver as a piece of polished jewelry, somehow shining and sparkling despite the fact that it should have been nearly invisible that close to the sun, traveling through his bright day.
"Oh, how pret---" Rapunzel started to say, but then she was distracted because her hair began to glow.
Just like when she killed the chickens-- but more.
Brilliantly, with the white light of the diamonds of her (Flynn's) crown, with the whiteness she imagined the foam of a midnight sea would look like. She picked up a hank of hair and let it hang from her hands; it was like holding molten silver chains or all the distant rivers seen from her tower, gathered up together by some unimaginable fairy-tale giant.”
Liz Braswell, What Once Was Mine

Tomi Adeyemi
“Mama used to say that in the beginning, white hair was a sign of the powers of heaven and earth. It held beauty and virtue and love, it meant we were blessed by the gods above.”
Tomi Adeyemi, Children of Blood and Bone

Liz Braswell
“She sprang out of bed, the ornaments in her hair tinkling and jingling, making tiny versions of the noises of the chimes above her.
And that was Rapunzel's most striking beauty: her hair.
Bound in plaits and whorls and buns and knots and twists as tightly as she could manage. Some of the braids were so long they hung in loops that she put her arms through; they hung at her sides like giant sleeves or tippets from an ancient dress.
Decorating all of this were dozens of charms-- also silver, like her hair, but some with exotic stones like lapis and turquoise. Bells, tiny moons, hands, suns, six-pointed stars, eyes, and anything else Mother Gothel could lay her hands on at her daughter's request.
By these amulets Rapunzel definitely tried to control her hair, bind her hair, disempower her hair, and unenchant her magic hair.”
Liz Braswell, What Once Was Mine

Liz Braswell
“The truth about you is all tangled, like your braids, Rapunzel. Bound up unnaturally. It's time to let it all down, to let it out, let it go. We must free you from the chains of your past-- but first we need to free your beautiful hair.”
Liz Braswell, What Once Was Mine

Liz Braswell
“Her hair glowed.
It shimmered and shone and pulsed, the full length of it flowing behind Rapunzel and lighting up the undersides of the trees and throwing soft illumination on all the paler leaves and mushrooms, gleaming for a moment where it hit a drop of dew or sap. The moths who had fled returned, like a fluttering train of silken flowers on a long, magical wedding veil, following the mesmerizing river of silver light.”
Liz Braswell, What Once Was Mine

Liz Braswell
“She managed to summon her powers twice more by gazing at her mandala, and was tickled with the results: she turned her bright red coral bracelet glittering black, and a dish of pale yellow dye a bluish black. Of course she had no idea if the color was set by the phase of the moon or if it was simply the way she thought about the moon, set in a blue-black sky. But imagine if she could summon any color! She would never have to worry about getting the right paints again.”
Liz Braswell, What Once Was Mine

Tomi Adeyemi
“Each maji was born with white hair, the sign of the gods' touch.”
Tomi Adeyemi, Children of Blood and Bone

Liz Braswell
“Of course she could have just dropped the length of hair down, but she liked getting it to sail through the air, unraveling its coils prettily as it went, a silver streak in the sky like a rain cloud spun into yarn. The end of the braid, soft and fringed like the tail of a fairy-tale donkey (the only kind Rapunzel knew), just brushed the ground before falling back against the tower with an incredibly satisfying thwack.”
Liz Braswell, What Once Was Mine

Liz Braswell
“An orphan who was kept as a prisoner in a tower with plague signs to keep away?" Gina gently teased. "Seems like a lot of work. Nahh, I bet you're a princess of some sort."
Rapunzel stared at her. Then she began guffawing: big, hearty barks of laughter.
"She doesn't sound like one," Flynn observed.
"She wears a pretty dress like one," Gina pointed out.
"Your skin is creamy and perfect," Flynn said. "I mean, um, I guess."
"You have a crown," Gina said.
"It's not my crown," Rapunzel shouted, still laughing. "I grew up in two rooms... not a giant castle. I don't have any servants, or ladies-in-waiting..."
"... or crowns you didn't steal," Flynn added.
"... or a white horse, or velvet capes, or a scepter..."
"You do have that magnificent hair, though," Flynn pointed out. "I mean, just look at it. It looks fancy and expensive and royal. A normal person, even a lord or lady, couldn't manage locks half that long. Even if it ever came in silver, which seems reeealllly unlikely."
He leaned forward to get a better look, and at first Rapunzel did nothing, suddenly aware of his closeness. Whatever he said about her skin, Flynn's was also clear, healthy, and peachy. He had a little bit of hair on his chin (not a full beard like she had seen in pictures), a tiny feathery thing that she kind of wanted to touch.”
Liz Braswell, What Once Was Mine

Liz Braswell
“Without knowing why, she brought her hair up to Pascal again. She knew he wouldn't be hurt. The little lizard was intrigued by whatever was going on; he nosed into her locks like a curious kitten.
Immediately the sparkles that pulsed through her hair danced around him, falling and flickering. Soon they completely covered the little lizard like snow. Rapunzel watched, enchanted.
Then he sneezed. Embers of magic flicked and faded as they fell to the earth.
Rapunzel gasped.
Pascal was perfectly fine.
He just wasn't-- Pascal.
He was an entirely different lizard. A lizard Rapunzel had never seen before, in books or anywhere. His eyes were now two balls that perched on the sides of his head and looked around independently of each other. His back was a graceful arch. His feet had two pairs of strange toes that opened up in the middle like claws. And his tail! It curled around and around and clasped onto her arm- prehensile and grasping, not a limp thing that just hung there to help with balance (and to occasionally break off and confuse a predator).
And he was looking at himself! Holding his feet out one at a time and admiring them, thwacking the tip of his tail and snapping his mouth in satisfaction. Like a... person. He thoughtfully gazed back at his body, considering it.
His skin suddenly started to change color: a wave of brown, and then red, pulsed through him from nose to tail.
"Pascal!" Rapunzel cried. "You're a dragon!"
She only wished he had turned into a slightly larger dragon so she could ride and/or hug him.”
Liz Braswell, What Once Was Mine

Liz Braswell
“Boys and girls come out to play...'"
"'The moon doth shine as bright as day!'" Rapunzel finished.
She thought of the bright, cold winter full moon that cast a light so strong that windows in her tower lit up like magic, and instead of sunbeams, blue moonbeams traced the floor. She would run to the tower window....
Leave your supper and leave your sleep...
... and the whole world would be white and blue, as bright as daytime, but with a glowing, magical scrim. Rapunzel had felt like she could dive into it, fly over the whole world in its strange state.
And join your playfellows in the street.
Her hair began to glow.”
Liz Braswell, What Once Was Mine

Liz Braswell
“Wondrous..." was the last thing Captain Tregsburg ever said.
When Rapunzel wearily opened her eyes, there was a magnificent white horse where the captain had been.
There was dried blood on its pure white flanks, what looked like an old, healed wound on its belly-- and an ecstatic look in its eye.
It rose onto its feet, trumpeting out a whinny of triumph, kicking its front legs and tossing its mane back and forth.
"Oh," Rapunzel said, dismayed. "I didn't-- I'm sorry--"
But Justin "Maximus" Tregsburg, captain of the royal guard and now shining white stallion, gently nuzzled her cheek. He was... happy.
"I'm glad you're all right," Rapunzel said, hugging him. "I'm sorry we never got to talk."
The stallion rolled his eyes and tossed his head: What's the use of talk, he seemed to say.”
Liz Braswell, What Once Was Mine