Sixteenth Century Quotes

“The women in the kitchen sang: Sarampión toca la puerta. Viruela dice: ¿Quién es? Y Escarlatina contesta: ¡Aquí estamos los tres! The cook would sometimes shout a little madly, “Sing it again!” And the women would sing again: Measles knocks at the door. Smallpox asks, Who’s there? And Scarlet Fever replies: All three of us are here!”
― Sharman Apt Russell, Teresa of the New World

“If we say that a person has style we may wish to imply that he is unnatural, affected, self-conscious or ostentatious. In the sixteenth century 'maniera' was generally a desirable attribute of a work of art, but this positive aspect was accompanied by the realization of the negative one that correspond to what we now call, derogatively, stylization.”
― John Shearman, Mannerism

“Cabeza de Vaca had wrapped her in his arms and in his language, whispering about a life she did not understand although understanding seemed to form just beyond the sea and sand, waiting there for her to grow older. Even when the story confused her, she had caught words or phrases, ideas like fish, bold and surprising, tasting of her father’s mind. She had learned quickly to nod and speak because he needed her to do this, because his need surrounded her like the blue sky. She was his bastard, and he had loved her. Yes, he had loved her. That was the memory she couldn’t bear.”
― Sharman Apt Russell, Teresa of the New World

“In a world threatened by pain and death, stories of miracle workers are a psychological necessity, because the alternative is unmitigated horror and despair.”
― Philip Ball, The Devil's Doctor: Paracelsus and the World of Renaissance Magic and Science

“Peasants brought up on a tradition of superstitious magic could hardly be expected to distinguish between such ostensibly Christian rituals and the mumbled incantations of the local wizard. And so, to the discomfort of the priests, many came to regard elements of Christian devotion as simple magical spells. The Latin Mass was, after all, incomprehensible to the common people, so it already had the aspect of an occult formula. It came to be seen, like magic, as an essentially mechanical rite through which absolution was achieved by observing the correct procedures. In that case, there was no real need for faith.”
― Philip Ball, The Devil's Doctor: Paracelsus and the World of Renaissance Magic and Science

“When a Mannerist artist breaks rules he does so on the basis of knowledge and not of ignorance. A considerable amount of North European architecture of the sixteenth century must be excluded for these reasons.”
― John Shearman, Mannerism