The Depression Quotes

“I noticed that as I drove through the defaced and suffering patches of country which still persist between Glasgow and Hamilton and Airdrie and Motherwell, no scents from hedges and fields streamed into the open car. ...it was as if in this region nature no longer breathed, or gave out at most the chill dank mineral breath of coal and iron. The air itself had a synthetic taste, the taste of a food substitute, and seemed to be merely an up-to-date by-product of local industry. The forlorn villages looked like dismembered bits of towns brutally hacked off, and with the raw edges left nakedly exposed. The towns themselves, on the other hand, were like villages on a nightmare scale, which after endless building had never managed to produce what looked like a street, and had no centre of any kind. One could not say that these places were flying asunder, for there was no sign of anything holding them together. They were merely a great number of houses jumbled together in a wilderness of grime, coal-dust and brick, under a blackish-grey synthetic sky.”
― Edwin Muir, Scottish Journey

“We were very much a reading family, but we were a borrow-a-book-from-the-library family more than a bookshelves-full-of-books family. My parents valued books, but the grew up in the Depression, aware of the quicksilver nature of money, and they learned the hard way that you shouldn't buy what you could borrow. Because of that frugality, or perhaps independent of it, they also believed that you read a book for the experience of reading it.”
― Susan Orlean, The Library Book

“We were very much a reading family, but we were a borrow-a-book-from-the-library family more than a bookshelves-full-of-books family. My parents valued books, but they grew up in the Depression, aware of the quicksilver nature of money, and they learned the hard way that you shouldn't buy what you could borrow. Because of that frugality, or perhaps independent of it, they also believed that you read a book for the experience of reading it.”
― Susan Orlean, The Library Book

“I didn't even feel quite comfortable about having a modestly good time. This guilt was a holdover from the bleak cold days of the Depression when the long gray lines quickly scratched through the hardly realized moments of color ... the long winter dream played out against an always nightmarish backdrop of black and white. Ironic indeed that it took another nightmare, the red and gold blast of war, to make us rub our eyes and become accustomed once again to a brilliant spectacle. The unfamiliar color dulled our senses to the horror. We were enjoying ourselves for the first time in a decade. This was the carnival time of life, and we intended to celebrate, and celebrate we did, although a bit uneasily and self-consciously.”
― Margaret Brown Kilik, The Duchess of Angus

“The problem seemed especially important to the Scot in 1938. Never before had he so needed to summon up his strength of character and remember his traditions. No country was more badly hit by the economic changes between the wars... The shipping of men was our speciality, and for the first time probably in Scotland's history the younger generation had of necessity to look at its own country and see what could be done about it... A first duty was the articulation of Scottish problems to the Scot and the firing of his mind and heart to the need of his generation... to interpret, and where possible, dramatize the growing points in Scottish life... using the cinema to maintain the national will.”
― John Grierson, Grierson on Documentary