The Erl King Quotes

“I shall take two huge handfuls of his rustling hair as he lies half dreaming, half waking, and wind them into ropes, very softly, so he will not wake up, and, softly, with hands as gentle as rain, I shall strangle him with them.”
― Angela Carter, The Bloody Chamber and Other Stories

“The lucidity, the clarity of light that afternoon was sufficient to itself; perfect transparency must be impenetrable, these vertical bars of brass-coloured distillation of light coming down from sulphur-yellow interstices in a sky hunkered with grey clouds that bulge with more rain. It struck the wood with nicotine-stained fingers, the leaves glittered. A cold day of late October, when the withered blackberries dangled like their own dour spooks on the discoloured brambles. There were crisp husks of beechmast and cast acorn cups underfoot in the russet slime of the dead bracken where the rains of the equinox had so soaked the earth that the cold oozed up through the soles of the shoes, lancinating cold of the approaching winter that grips hold of your belly and squeezed it tight. Now the stark elders have an anorexic look; there is not much in the autumn wood to make you smile but it is not yet, not quite yet, the saddest time of the year. Only, there is a haunting sense of the imminent cessation of being; the year, in turning, turns in on itself. Introspective weather, a sickroom hush.”
― Angela Carter, Burning Your Boats: The Collected Short Stories

“Sometimes he lays his head on my lap and lets me comb his lovely hair for him; his combings are leaves of every tree in the wood and dryly susurrate around my feet.”
― Angela Carter, The Bloody Chamber and Other Stories

“When he combs his hair that is the colour of dead leaves, dead leaves fall out of it; they rustle and drift to the ground as though he were a tree and he can stand as still as a tree, when he wants the doves to flutter softly, crooning as they come, down upon his shoulders, those silly, fat, trusting woodies with the pretty wedding rings round their necks. He makes his whistles out of an elder twig and that is what he uses to call the birds out of the air--all the birds come; and the sweetest singers he will keep in cages.”
― Angela Carter, The Bloody Chamber and Other Stories

“He strips me of my last nakedness, that underskin of mauve, pearlized satin, like a skinned rabbit; then dresses me again in an embrace so lucid and encompassing it might be made of water. And shakes over me dead leaves as if into the stream I have become.”
― Angela Carter, The Bloody Chamber and Other Stories