Tom Nairn Quotes

“I was tidying old papers when I came across a faded "1979" folder. Remember what a bad year that was for those who believed in a self-governing Scotland? In March, a referendum for a "Scottish Assembly", its terms skewed to ensure failure. Then a General Election which slaughtered the SNP down to a mere two MPs and brought Mrs. Thatcher to power. End of a dream?

Two things fell out of the folder. One was a giant paper rosette, all blood-red tartan and ribbons, inscribed "Have yourself a Dreich Decade!" The rosette came from irrepressible Murray Grigor, whose films and happenings still teach Scots to find self-confidence through self-mockery. Get a grip, he seemed to be saying, and you can turn these dreich 1980s into what they did in fact become - the most intense eruption of Scottish literature, drama, painting and history publication for a hundred years.

The other thing was a note from Tom Nairn. It began: "Dear Neal, the incorrigible optimist strikes again...”
― Neal Ascherson

“When [James] Kelman talks of 'the narrative belonging to them and them alone', he echoes Frantz Fanon (1921-61) and Edward Said (1935-2003)'s accounts of how imperial power expropriates not only the material life of the colonised, but their mental life as well, causing them to think of their own identities within categories fashioned by their oppressors. The Scots areperhaps particularly schizophrenic in this respect. At a material level, they are a First World people, the beneficiaries of being what Tom Nairn (1932-2023) has described as the junior partners in a highly profitable imperial enterprise. Inside their heads, however, they are a Third World people, their identities shaped by images and discourses (English literature, Holywood movies) articulated elsewhere but lived within by the Scots themselves. It has been the profound political as well as artistic achievement of novelists such as James Kelman and Irvine Welsh, and poets such as Edwin Morgan (1920-2010), Tom Leonard (1944-2018) and Liz Lochhead to have fashioned a distinctively Scottish voice, one homologous with Scots' interior life and experience of the world.”
― Colin McArthur, Dissident Voices: The Politics of Television and Cultural Change