Undocumented Immigrants Quotes

“But it’s not just those early years without my parents that branded me. It’s the life I’ve led in America as a migrant, watching my parents pursue their dream in this country and then having to deal with its carcass, witnessing the crimes against migrants carried out by the U.S. government with my hands bound. As an undocumented person, I felt like a hologram. Nothing felt secure. I never felt safe. I didn’t allow myself to feel joy because I was scared to attach myself to anything I’d have to let go of. Being deportable means you have to be ready to go at any moment, ready to go with nothing but the clothes on your body. I've learned to develop no relationship to anything, not to photos, not to people, not to jewelry or clothing or ticket stubs or stuffed animals from childhood.”
― Karla Cornejo Villavicencio, The Undocumented Americans

“Getting bodies,” in Border Patrol lingo, didn’t necessarily mean collecting corpses. Bodies were living people. “Bodies” was one of the many names for them. Illegal aliens, dying of thirst more often than not, are called “wets” by agents. “Five wets” might have slipped out. “Wets” are also called “tonks,” but the Border Patrol tries hard to keep that bon mot from civilians. It’s a nasty habit in the ranks. Only a fellow border cop could appreciate the humor of calling people a name based on the stark sound of a flashlight breaking over a human head.”
― Luis Alberto Urrea, The Devil's Highway: A True Story

“Of course, the illegals have always been called names other than human--wetback, taco-bender. (A Mexican worker said: "If I am a wetback because I crossed a river to get here, what are you, who crossed an entire ocean?') In politically correct times, "illegal alien" was deemed gauche, so "undocumented worker" came into favor. Now, however, the term preferred by the Arizona press is "undocumented entrant." As if the United States were a militarized beauty pageant.

Maye it is.”
― Luis Alberto Urrea, The Devil's Highway: A True Story

“Researchers have shown that the flooding of stress hormones resulting from a traumatic separation from your parents at a young age kills off so many dendrites and neurons in the brain that it results in permanent psychological and physical changes. One psychiatrist I went to told me that my brain looked like a tree without branches.

So I just think about all the children who have been separated from their parents, and there's a lot of us, past and present, and some under more traumatic circumstances than others--like those who are in internment camps right now--and I just imagine us as an army of mutants. We’ve all been touched by this monster, and our brains are forever changed, and we all have trees without branches in there, and what will happen to us? Who will we become? Who will take care of us?”
― Karla Cornejo Villavicencio, The Undocumented Americans

“Uncontrolled migration produces social friction not because many refugees are criminals and terrorists (they aren’t), but because living side by side with strangers requires two precious commodities: goodwill and time. Both are necessary to build trust; neither is as widely available as we would like.”
― Madeleine K. Albright, Fascism: A Warning

“The government wanted the people of Flint dead, or did not care if they died, which is the same thing, and set in motion a plan for them to be killed slowly through negligence at the highest levels. What I saw in Flint was a microcosm of the way the government treats the undocumented everywhere, making the conditions in this country as deadly and toxic and inhumane as possible so that we will self-deport. What I saw in Flint was what I had seen everywhere else, what I had felt in my own poisoned blood and bones. Being killed softly, silently, and with impunity.”
― Karla Cornejo Villavicencio, The Undocumented Americans

“I thought I could write something better, something that rang true. And I thought that I was the best person to do it. I was just crazy enough. Because if you're going to write a book about undocumented immigrants in America, the story, the full story, you have to be a little bit crazy. And you certainly can't be enamored by America, not still. That disqualifies you.”
― Karla Cornejo Villavicencio, The Undocumented Americans

“Before visiting Staten Island, I'd never met a day laborer. To me, a city girl who knew undocumented men mostly as restaurant workers, day laborers seemed like an almost mythical archetype, groups of brown men huddled at the crack of dawn on street corners next to truck rental lots and hardware superstores and lumberyards. Historically, legislators and immigration advocates have parted the sea of the undocumented with a splintered staff—working brown men and women on one side and academically achieving young brown people on the other, one a parasitic blight, the other heroic dreamers.”
― Karla Cornejo Villavicencio, The Undocumented Americans

“I'm attending a monthly meeting at Colectiva Por Fin on my first night on Staten Island. The room is small but as more men come in, it seems to double and triple in size. On the wall, migrants are celebrated through art that strikes me as deeply annoying, mostly the word "migrant" reconfigured as butterflies. I fucking hate thinking of migrants as butterflies. Butterflies can't fuck a bitch up.”
― Karla Cornejo Villavicencio, The Undocumented Americans

“The first hour of the prayer session consists of the group of faithful men and women on their knees beating their chests and crying out to god for forgiveness. I look at them intently. Some of them seem for real but overall it's super performative. I do not pray to god for forgiveness, because I believe I have nothing to apologize for and he might have to explain a couple of things to me, so I just sit there, moping, angry, but still trying to radiate positive vibes because I'm not going to be the person who is ruining faithful migrants' experience of community. I respect the role of god in the lives of people who suffer but basically only in the lives of people who suffer.”
― Karla Cornejo Villavicencio, The Undocumented Americans