Vivid Description Quotes

“Some other memories of the funeral have stuck in my mind. The old boy’s face, for instance, when he caught up with us for the last time, just outside the village. His eyes were streaming with tears, of exhaustion or distress, or both together. But because of the wrinkles they couldn’t flow down. They spread out, crisscrossed, and formed a smooth gloss on the old, worn face.”
― Albert Camus, The Stranger

“She left her keys in the teeth of the lock where they would dangle all day.”
― Karen Thompson Walker, The Age of Miracles

“how impossibly clean-cut, with its twin sets of twelve, neat as walnut shells.”
― Karen Thompson Walker, The Age of Miracles

“He remembered how his father had told him that when it snowed even humans could see the wind, and it was so. He watched as gusty eddies danced and flickered, a single flake pausing for a moment to hover before his eyes, a twirling crystal of light, the exhale of his warm breath causing it to dance away even as it melted.”
― Raymond E. Feist, Honored Enemy

“Whether or not he was in it, whether or not he could see or touch it, he'd thought there would always be a FIllory out there somewhere. He loved knowing it was there. It anchored his sense of happiness, the way a distant stockpile of gold might underwrite the value of a paper bill.”
― Lev Grossman, The Magician's Land

“The hatch, removed from the top of the works, now afforded a wide hearth in front of them. Standing on this were the Tartarean shapes of the pagan harpooneers, always the whale-ship’s stokers. With huge pronged poles they pitched hissing masses of blubber into the scalding pots, or stirred up the fires beneath, till the snaky flames darted, curling, out of the doors to catch them by the feet. The smoke rolled away in sullen heaps. To every pitch of the ship there was a pitch of the boiling oil, which seemed all eagerness to leap into their faces. Opposite the mouth of the works, on the further side of the wide wooden hearth, was the windlass. This served for a sea-sofa. Here lounged the watch, when not otherwise employed, looking into the red heat of the fire, till their eyes felt scorched in their heads. Their tawny features, now all begrimed with smoke and sweat, their matted beards, and the contrasting barbaric brilliancy of their teeth, all these were strangely revealed in the capricious emblazonings of the works. As they narrated to each other their unholy adventures, their tales of terror told in words of mirth; as their uncivilized laughter forked upwards out of them, like the flames from the furnace; as to and fro, in their front, the harpooneers wildly gesticulated with their huge pronged forks and dippers; as the wind howled on, and the sea leaped, and the ship groaned and dived, and yet steadfastly shot her red hell further and further into the blackness of the sea and the night, and scornfully champed the white bone in her mouth, and viciously spat round her on all sides; then the rushing Pequod, freighted with savages, and laden with fire, and burning a corpse, and plunging into that blackness of darkness, seemed the material counterpart of her monomaniac commander’s soul.”
― Herman Melville

“Jewell Stewark smiled at me from a billboard, the rain giving her face tears.”
― Eric Jerome Dickey, Dying for Revenge

“He felt as if his flesh had been neatly filleted and packed with salt, each organ stuffed with burning coals, his bones drilled open and filled with molten lead.”
― Ted Dekker, Renegade