Writers On Thinking Quotes

Quotes tagged as "writers-on-thinking" Showing 1-30 of 170
Bangambiki Habyarimana
“I used to be afraid about what people might say or think after reading what I had written. I am not afraid anymore, because when I write, I am not trying to prove anything to anyone, I am just expressing myself and my opinions. It’s ok if my opinions are different from those of the reader, each of us can have his own opinions. So writing is like talking, if you are afraid of writing, you may end up being afraid of talking”
Bangambiki Habyarimana, Pearls Of Eternity

Karl Wiggins
“There’s a huge difference between the writers, the musicians, the composers, the chefs, the dance choreographers and to a certain extent the tradesmen and the rest of society in that no one understands us.

It’s a wretched dream to hope that our creativity gets recognised while our family thinks we’re wasting our time when the lawn needs mowing, the deck needs painting and the bedroom needs decorating.

It’s acceptable to go into the garage to tinker about with a motorbike, but it’s a waste of a good Sunday afternoon if you go into the garage and practice your guitar, or sit in your study attempting to capture words that have been floating around your brain forever.

No one understands us”
Karl Wiggins, Wrong Planet - Searching for your Tribe

Karl Wiggins
“I write in my head on the way home from work, or when mowing the lawn, or on a night out with friends. Sometimes I find the time to capture those words that are rolling through my mind, quivering and drumming and swimming, banging into each other until I can finally trick them and leak them out onto the page. And sometimes I don't. Writers are like that”
Karl Wiggins, Wrong Planet - Searching for your Tribe

Karl Wiggins
“Every one of the big breakthroughs in the art of literature have possibly started as what many would call a ludicrous or even laughable idea as the writer occasionally balances a routine piece with an investment in the eccentric and untried. Over time, the reward is usually worth the risk.”
Karl Wiggins, Self-Publishing In the Eye of the Storm

Alejandra Pizarnik
“Hace unos instantes me sentía tan, pero tan angustiada que, cuando traté de concretar por escrito mis emociones, la pluma resbaló de mis dedos llorosos.”
Alejandra Pizarnik, Diarios

“Each act of writing represents a separate lock of the author’s tissue and all serious piecework folds into an ongoing anthology. A writer’s portfolio is comprised of interlocking ideas that are in a constant state of change. A writer’s ideas gradually reflect their current mental and spiritual composition and a writer’s way of living reflects the progression of their ideas. Each written version of a person’s life stands as mental testament of who the author was at a given moment in time. Just as we cannot sum up a person’s life with an isolated snapshot, truly to understand who a writer was we must read his or her entire body of work. No single work of writing tells us who the writer was. The compilation of a writer’s scripts defines the shady author, even if some of these works overtake, correct, or contradict previous efforts. Who we are is the summation of who we were as a child, teenager, young adult, in middle age, and as an elder. Only by viewing a person in successive stages do we truly comprehend them. Only by reading the oeuvre of an author, do we appreciate the writer’s ultimate act of creation. Only by reading a person’s obituary do we come to know what their living Magnus opus stood for.”
Kilroy J. Oldster, Dead Toad Scrolls

“This scroll is my personal obituary, a journal that documents my time toiling on this rocky orb. I labored to say who I am, how I lived, and frame the troubling questions regarding what I seek. I wrote in order to penetrate illusions, address the tedium of existence, gain insight into my true nature, and give conscious shape to the vestiges of a tormented man. I used this written journey of the mind to explore all prior reference points of self-identity and toiled to meld the disharmonious components of a fragmented psyche into a wholesome human being. Writing was a tool employed to use conscious suffering mercilessly to suppress a caustic ego and resurrect a more inclusive, synthetic, and unitive consciousness that no longer wants for anything or suffers from the travails of life.”
Kilroy J. Oldster, Dead Toad Scrolls

“A dialectical tension exists between people and nature through which each person determines his or her ultimate state.”
Kilroy J. Oldster, Dead Toad Scrolls

“A sundry of intimate encounters with the vibrant intellect of perceptive thinkers dissolves a recluse’s shroud of seclusion. Can I manufacture the needed first aid kit to arrest my internal hemorrhaging? Can I stave off my mental deterioration by exploring the written words of renowned authors? Can I map a course out of my present quandary by scouring the libraries brimming with the beautiful mind works of previous generations of eminent writers? Will diligent encounters with the incisive thoughts of outstanding essayist shred the indivisible bars shielding my indeterminate self and release me from of the monochrome cage of self-imposed isolation? Can respected writers’ perceptive soul-searching create a template for my inchoative thoughts spontaneously to mature?”
Kilroy J. Oldster, Dead Toad Scrolls

Marlon James
“Because at the end of a true story, there is nothing but waste.”
Marlon James, Black Leopard, Red Wolf

Jorge Luis Borges
“A writer is usually judged by his opinions ,the most superficial thing about him,rather than by his work.”
Jorge Luis Borges

“I write not to justify a portfolio of personal failures. I do not seek to moralize or cast blame for my follies and catastrophes upon other people. I do not seek to malign other persons when documenting a series of unpleasant personal encounters in an unyielding society. I desire to overcome myself. I write in an attempt to alter my worldview, calm the soul, find serenity, extinguish hatred, and discover those elementary feelings of wellbeing which subsist permanently in humankind, which are independent of culture, race, class, and time. I write in an effort to discover the moral sublimity underlying existence. I write in order to understand myself and to transfigure myself. Writing is my attempt to rise beyond the facileness of my prior existence. I write in an effort to transcend the prodigious pain of living a profligate life. I write in an attempt to transmute my personage from that of an ordinary toad who despises all of his visible warts. I write in an attempt to decipher how to overcome a penchant for personal aggressiveness and brutality and become kind and gentle. I write in an attempt to discover how I can become a wise person who courageously faces the obstacles of life and exhibits grace and poise in the horror of his blackest days. I write to create an artifact of an intact and pacific persona.”
Kilroy J. Oldster, Dead Toad Scrolls

“Each day I attempt to establish a conjugated ring of reasons to rise tomorrow. Each day I seek to engage in some audible act of faith reaffirming a spiritual warrior’s commitment to living. Each day when engaged in investigative writing, I seek to perform some testimonial act that will lead me towards achieving desirable, premeditated change. Each day that I dabble with writing a deliberative memoir requires a scathing examination of how I lived. It also demands scrupulous assessment of how I want to live the remainder of an unspooling life.”
Kilroy J. Oldster, Dead Toad Scrolls

“We learn about ourselves by taking one footstep at a time along a road of discovery. Greek philosopher Heraclitus who lived around 500 BCE proffered cogent advice about how to acquire wisdom and achieve a proper perspective on all worldly events. ‘Whosoever wishes to know about the world must learn about it in its particular details. Knowledge is not intelligence. In searching for truth, be ready for the unexpected. The same road goes both up and down. The beginning of a circle is also its end. Not I, but the world says it: all is one.’ This script tells of one man’s journeying a full circle in an effort to become one with all that exists.”
Kilroy J. Oldster, Dead Toad Scrolls

“In telling our story, we develop an internal voice, which vocalization can help us rise or keep us down. An internal voice that constantly speaks to a person in an uplifting and reassuring manner is a rare plum.”
Kilroy J. Oldster, Dead Toad Scrolls

“Embracing the possible immediacy of dying shocks a writer’s lethargic and disdainful mind to attention, and this enlivened mental state assists them explore the possibilities of living purposefully. Invigorated mental activity examines how a person can enjoy a more enchanting existence by devotedly working on self-improvement.”
Kilroy J. Oldster, Dead Toad Scrolls

“What insistent questions must I ask and answer in order to uncover the essential truths for personal survival? Can I frame the crucial questions that self-revealing answers might stave off instant disintegration? Can I find a subject of intellectual investigation worthy of creating an enduring legacy? How do I eradicate from a secretive, brooding, and shut-in mind the insidious and incapacitating thoughts that turned me into an inert maumet or an empty-headed person? Must I accept the rheum of my timid meagerness? Alternatively, must I expunge all mucus remnants of my diseased former self? Can I shock myself awake from a zombie-like state of spiritual deadness? Can I create out of the phlegm of a frozen mind a new Adam that walks and talks for me? By destroying a former self, can I save myself and create a vessel of lifeworks that carries a stream of earnest thoughts into the minds of future readers?”
Kilroy J. Oldster

Ellen Palestrant
“For me, and for so many of us, creativity is a direct springboard to much that is positive in life. It is the catalyst to becoming energetic, vibrant, joyful, generous individuals and contributors to society.”
Ellen Palestrant, Have You Ever Had a Hunch? The Importance of Creative Thinking

Mariia Manko
“On the one hand, passion is a bright flame, which inspires and nourishes us with an infinite amount of energy. At the same time, passion is directly related to scrupulous work, serious contemplation and active work of the brain. It is always a good thing when you know how to point passion in the right direction.”
Mariia Manko, Finding Martin Eden: Travels to Find Myself

Mehmet Murat ildan
“There is no great writer whose muse does not visit her while thinking in a place she loves to be in!”
Mehmet Murat ildan

Avijeet Das
“As a human race are we falling down on our creative minds. Is it only visual effects and spectacle that attract people and not the vivid imagination that is needed to read and enjoy a book?”
Avijeet Das

“I write from where memory falters and the light forgets to follow.”
Rowan M. Brown

“A dreamer without words still keeps a story inside, but a dreamer who writes can help others wake up”
Jan Jansen Easy Branches

« previous 1 3 4 5 6