30 books
—
1 voter
Netflix Books
Showing 1-50 of 923
The Duke and I (Bridgertons, #1)
by (shelved 29 times as netflix)
avg rating 3.80 — 708,923 ratings — published 2000
The Queen's Gambit (Paperback)
by (shelved 17 times as netflix)
avg rating 4.18 — 138,905 ratings — published 1983
Shadow and Bone (Shadow and Bone, #1)
by (shelved 16 times as netflix)
avg rating 3.91 — 1,118,470 ratings — published 2012
Romancing Mister Bridgerton (Bridgertons, #4)
by (shelved 15 times as netflix)
avg rating 3.88 — 435,350 ratings — published 2002
The Viscount Who Loved Me (Bridgertons, #2)
by (shelved 15 times as netflix)
avg rating 3.99 — 496,838 ratings — published 2000
To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1)
by (shelved 14 times as netflix)
avg rating 4.04 — 1,069,976 ratings — published 2014
The Haunting of Hill House (Paperback)
by (shelved 12 times as netflix)
avg rating 3.81 — 401,560 ratings — published 1959
Firefly Lane (Firefly Lane, #1)
by (shelved 11 times as netflix)
avg rating 4.20 — 486,433 ratings — published 2008
Thirteen Reasons Why (Hardcover)
by (shelved 11 times as netflix)
avg rating 3.84 — 1,028,013 ratings — published 2007
No Rules Rules: Netflix and the Culture of Reinvention (Paperback)
by (shelved 10 times as netflix)
avg rating 4.27 — 33,423 ratings — published 2020
Alias Grace (Hardcover)
by (shelved 10 times as netflix)
avg rating 4.04 — 158,189 ratings — published 1996
Stealing Home (The Sweet Magnolias, #1)
by (shelved 9 times as netflix)
avg rating 3.97 — 30,770 ratings — published 2007
Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3)
by (shelved 9 times as netflix)
avg rating 3.99 — 291,651 ratings — published 2017
An Offer From a Gentleman (Bridgertons, #3)
by (shelved 8 times as netflix)
avg rating 3.94 — 427,172 ratings — published 2001
To Sir Phillip, With Love (Bridgertons, #5)
by (shelved 8 times as netflix)
avg rating 3.69 — 310,838 ratings — published 2003
Virgin River (Virgin River, #1)
by (shelved 8 times as netflix)
avg rating 4.01 — 80,689 ratings — published 2007
Stay Close (Hardcover)
by (shelved 7 times as netflix)
avg rating 3.91 — 62,047 ratings — published 2012
Passing (Mass Market Paperback)
by (shelved 7 times as netflix)
avg rating 3.92 — 82,123 ratings — published 1929
Luckiest Girl Alive (Hardcover)
by (shelved 7 times as netflix)
avg rating 3.54 — 257,708 ratings — published 2015
The Stranger (Hardcover)
by (shelved 7 times as netflix)
avg rating 3.90 — 103,114 ratings — published 2015
The Guernsey Literary and Potato Peel Pie Society (Paperback)
by (shelved 7 times as netflix)
avg rating 4.19 — 816,871 ratings — published 2008
P.S. I Still Love You (To All the Boys I've Loved Before, #2)
by (shelved 7 times as netflix)
avg rating 4.00 — 427,813 ratings — published 2015
Orange Is the New Black (Hardcover)
by (shelved 7 times as netflix)
avg rating 3.72 — 206,563 ratings — published 2010
The Case of the Missing Marquess (Enola Holmes, #1)
by (shelved 6 times as netflix)
avg rating 3.78 — 44,530 ratings — published 2006
When He Was Wicked (Bridgertons, #6)
by (shelved 6 times as netflix)
avg rating 3.98 — 268,382 ratings — published 2004
Outlander (Outlander, #1)
by (shelved 6 times as netflix)
avg rating 4.26 — 1,161,668 ratings — published 1991
Locke & Key, Vol. 1: Welcome to Lovecraft (Hardcover)
by (shelved 6 times as netflix)
avg rating 4.15 — 100,142 ratings — published 2008
The Last Wish (The Witcher, #0.5)
by (shelved 6 times as netflix)
avg rating 4.14 — 421,848 ratings — published 1993
Behind Her Eyes (Hardcover)
by (shelved 6 times as netflix)
avg rating 3.79 — 214,930 ratings — published 2017
Anne of Green Gables (Anne of Green Gables, #1)
by (shelved 6 times as netflix)
avg rating 4.33 — 1,123,622 ratings — published 1908
Altered Carbon (Takeshi Kovacs, #1)
by (shelved 6 times as netflix)
avg rating 4.03 — 115,842 ratings — published 2002
The School for Good and Evil (The School for Good and Evil, #1)
by (shelved 5 times as netflix)
avg rating 3.98 — 136,805 ratings — published 2013
People We Meet on Vacation (Kindle Edition)
by (shelved 5 times as netflix)
avg rating 3.84 — 1,796,205 ratings — published 2021
Fool Me Once (Detective Sami Kierce, #1)
by (shelved 5 times as netflix)
avg rating 3.97 — 139,090 ratings — published 2016
All the Light We Cannot See (Hardcover)
by (shelved 5 times as netflix)
avg rating 4.31 — 2,000,608 ratings — published 2014
Along for the Ride (Hardcover)
by (shelved 5 times as netflix)
avg rating 4.03 — 212,423 ratings — published 2009
Spy Dust (Russian Gambit)
by (shelved 5 times as netflix)
avg rating 4.48 — 202 ratings — published 2020
Maid: Hard Work, Low Pay, and a Mother's Will to Survive (Hardcover)
by (shelved 5 times as netflix)
avg rating 3.86 — 114,178 ratings — published 2019
One of Us Is Lying (One of Us is Lying, #1)
by (shelved 5 times as netflix)
avg rating 3.91 — 1,074,320 ratings — published 2017
Anatomy of a Scandal (Hardcover)
by (shelved 5 times as netflix)
avg rating 3.68 — 45,398 ratings — published 2018
Rebecca (Kindle Edition)
by (shelved 5 times as netflix)
avg rating 4.25 — 731,859 ratings — published 1938
Pieces of Her (Andrea Oliver, #1)
by (shelved 5 times as netflix)
avg rating 3.83 — 150,131 ratings — published 2018
On the Way to the Wedding (Bridgertons, #8)
by (shelved 5 times as netflix)
avg rating 3.82 — 189,573 ratings — published 2006
It's in His Kiss (Bridgertons, #7)
by (shelved 5 times as netflix)
avg rating 3.97 — 219,258 ratings — published 2005
Six of Crows (Six of Crows, #1)
by (shelved 5 times as netflix)
avg rating 4.46 — 1,168,367 ratings — published 2015
Bird Box (Bird Box, #1)
by (shelved 5 times as netflix)
avg rating 4.05 — 212,186 ratings — published 2014
The Kissing Booth (The Kissing Booth, #1)
by (shelved 5 times as netflix)
avg rating 3.48 — 42,529 ratings — published 2012
Mind Hunter: Inside the FBI's Elite Serial Crime Unit (Mass Market Paperback)
by (shelved 5 times as netflix)
avg rating 4.09 — 83,652 ratings — published 1995
The Lost Daughter (Paperback)
by (shelved 4 times as netflix)
avg rating 3.73 — 62,245 ratings — published 2006
“I think one of the reasons that I feel empty after watching a lot of TV, and one of the things that makes TV seductive, is that it gives the illusion of relationships with people. It's a way to have people in the room talking and being entertaining, but it doesn't require anything of me. I mean, I can see them, they can't see me. And, and, they're there for me, and I can, I can receive from the TV, I can receive entertainment and stimulation. Without having to give anything back but the most tangential kind of attention. And that is very seductive.
The problem is it's also very empty. Because one of the differences about having a real person there is that number one, I've gotta do some work. Like, he pays attention to me, I gotta pay attention to him. You know: I watch him, he watches me. The stress level goes up. But there's also, there's something nourishing about it, because I think like as creatures, we've all got to figure out how to be together in the same room.
And so TV is like candy in that it's more pleasurable and easier than the real food. But it also doesn't have any of the nourishment of real food. And the thing, what the book is supposed to be about is, What has happened to us, that I'm now willing--and I do this too--that I'm willing to derive enormous amounts of my sense of community and awareness of other people, from television? But I'm not willing to undergo the stress and awkwardness and potential shit of dealing with real people.
And that as the Internet grows, and as our ability to be linked up, like--I mean, you and I coulda done this through e-mail, and I never woulda had to meet you, and that woulda been easier for me. Right? Like, at a certain point, we're gonna have to build some machinery, inside our guts, to help us deal with this. Because the technology is just gonna get better and better and better and better. And it's gonna get easier and easier, and more and more convenient, and more and more pleasurable, to be alone with images on a screen, given to us by people who do not love us but want our money. Which is all right. In low doses, right? But if that's the basic main staple of your diet, you're gonna die. In a meaningful way, you're going to die.”
―
The problem is it's also very empty. Because one of the differences about having a real person there is that number one, I've gotta do some work. Like, he pays attention to me, I gotta pay attention to him. You know: I watch him, he watches me. The stress level goes up. But there's also, there's something nourishing about it, because I think like as creatures, we've all got to figure out how to be together in the same room.
And so TV is like candy in that it's more pleasurable and easier than the real food. But it also doesn't have any of the nourishment of real food. And the thing, what the book is supposed to be about is, What has happened to us, that I'm now willing--and I do this too--that I'm willing to derive enormous amounts of my sense of community and awareness of other people, from television? But I'm not willing to undergo the stress and awkwardness and potential shit of dealing with real people.
And that as the Internet grows, and as our ability to be linked up, like--I mean, you and I coulda done this through e-mail, and I never woulda had to meet you, and that woulda been easier for me. Right? Like, at a certain point, we're gonna have to build some machinery, inside our guts, to help us deal with this. Because the technology is just gonna get better and better and better and better. And it's gonna get easier and easier, and more and more convenient, and more and more pleasurable, to be alone with images on a screen, given to us by people who do not love us but want our money. Which is all right. In low doses, right? But if that's the basic main staple of your diet, you're gonna die. In a meaningful way, you're going to die.”
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