30 books
—
13 voters
Visual Communication Books
Showing 1-50 of 323
Resonate: Present Visual Stories that Transform Audiences (Paperback)
by (shelved 4 times as visual-communication)
avg rating 4.11 — 5,572 ratings — published 2010
The Back of the Napkin: Solving Problems and Selling Ideas with Pictures (Hardcover)
by (shelved 4 times as visual-communication)
avg rating 3.96 — 15,822 ratings — published 2008
Art and Visual Perception: A Psychology of the Creative Eye (Paperback)
by (shelved 3 times as visual-communication)
avg rating 4.07 — 3,973 ratings — published 1954
Picture This: How Pictures Work (Kindle Edition)
by (shelved 3 times as visual-communication)
avg rating 4.20 — 4,861 ratings — published 1991
Just My Type: A Book About Fonts (Hardcover)
by (shelved 3 times as visual-communication)
avg rating 3.95 — 61,247 ratings — published 2010
See What I Mean: How to Use Comics to Communicate Ideas (Paperback)
by (shelved 3 times as visual-communication)
avg rating 4.10 — 98 ratings — published 2012
Reading Images: The Grammar of Visual Design (Paperback)
by (shelved 3 times as visual-communication)
avg rating 3.77 — 212 ratings — published 1996
Blah Blah Blah: What To Do When Words Don't Work (Hardcover)
by (shelved 3 times as visual-communication)
avg rating 3.97 — 1,300 ratings — published 2011
The Visual Display of Quantitative Information (Hardcover)
by (shelved 2 times as visual-communication)
avg rating 4.39 — 8,622 ratings — published 1983
The Complete Maus (Paperback)
by (shelved 2 times as visual-communication)
avg rating 4.58 — 249,785 ratings — published 1980
On Photography (Paperback)
by (shelved 2 times as visual-communication)
avg rating 3.87 — 55,676 ratings — published 1973
Understanding Comics: The Invisible Art (Paperback)
by (shelved 2 times as visual-communication)
avg rating 4.00 — 130,678 ratings — published 1993
The Doodle Revolution: Unlock the Power to Think Differently (Hardcover)
by (shelved 2 times as visual-communication)
avg rating 3.87 — 810 ratings — published 2013
slide:ology: The Art and Science of Creating Great Presentations (Paperback)
by (shelved 2 times as visual-communication)
avg rating 4.07 — 6,987 ratings — published 2008
Rapid Viz: A New Method for the Rapid Visualization of Ideas (Paperback)
by (shelved 2 times as visual-communication)
avg rating 3.87 — 201 ratings — published 1990
The Wall Street Journal Guide to Information Graphics: The Dos and Don'ts of Presenting Data, Facts, and Figures (Hardcover)
by (shelved 2 times as visual-communication)
avg rating 4.08 — 864 ratings — published 2009
The Book of Trees: Visualizing Branches of Knowledge (Hardcover)
by (shelved 2 times as visual-communication)
avg rating 4.07 — 385 ratings — published 2014
Craft, Inc.: Turn Your Creative Hobby into a Business (Paperback)
by (shelved 2 times as visual-communication)
avg rating 3.86 — 1,212 ratings — published 2007
Design Is a Job (Paperback)
by (shelved 2 times as visual-communication)
avg rating 4.22 — 5,055 ratings — published 2012
The Poetics of Space (Paperback)
by (shelved 2 times as visual-communication)
avg rating 4.18 — 11,042 ratings — published 1957
The New Drawing on the Right Side of the Brain (Paperback)
by (shelved 2 times as visual-communication)
avg rating 3.87 — 376,888 ratings — published 1979
Lateral Thinking (Paperback)
by (shelved 2 times as visual-communication)
avg rating 3.76 — 4,732 ratings — published
A Smile in the Mind (Paperback)
by (shelved 2 times as visual-communication)
avg rating 4.24 — 846 ratings — published 1996
The Art of Looking Sideways (Hardcover)
by (shelved 2 times as visual-communication)
avg rating 4.11 — 6,625 ratings — published 2001
Rastersysteme für die visuelle Gestaltung (Hardcover)
by (shelved 2 times as visual-communication)
avg rating 4.12 — 4,276 ratings — published 1996
Meggs' History of Graphic Design (Hardcover)
by (shelved 2 times as visual-communication)
avg rating 4.13 — 2,838 ratings — published 1983
The Sketchnote Handbook: the illustrated guide to visual note taking (Paperback)
by (shelved 2 times as visual-communication)
avg rating 4.07 — 3,494 ratings — published 2012
Envisioning Information (Hardcover)
by (shelved 2 times as visual-communication)
avg rating 4.23 — 7,930 ratings — published 1990
Visual Meetings: How Graphics, Sticky Notes and Idea Mapping Can Transform Group Productivity (Paperback)
by (shelved 2 times as visual-communication)
avg rating 3.87 — 1,411 ratings — published 2010
Unfolding the Napkin: The Hands-On Method for Solving Complex Problems with Simple Pictures (Paperback)
by (shelved 2 times as visual-communication)
avg rating 4.04 — 963 ratings — published 2009
Drawing Words and Writing Pictures (Paperback)
by (shelved 1 time as visual-communication)
avg rating 4.09 — 1,739 ratings — published 2008
Cave Paintings For Future People (Kindle Edition)
by (shelved 1 time as visual-communication)
avg rating 4.50 — 10 ratings — published
Cartooning: Philosophy and Practice (Paperback)
by (shelved 1 time as visual-communication)
avg rating 4.18 — 666 ratings — published 2011
Designing the Obvious: A Common Sense Approach to Web Application Design (Paperback)
by (shelved 1 time as visual-communication)
avg rating 4.02 — 826 ratings — published 2002
Designing the Moment: Web Interface Design Concepts in Action (Paperback)
by (shelved 1 time as visual-communication)
avg rating 3.89 — 119 ratings — published 2008
Best Practices for Graphic Designers, Color Works: Right Ways of Applying Color in Branding, Wayfinding, Information Design, Digital Environments and Pretty Much Everywhere Else (Flexibound)
by (shelved 1 time as visual-communication)
avg rating 3.33 — 46 ratings — published 2013
The Encyclopedia of Tibetan Symbols and Motifs (Hardcover)
by (shelved 1 time as visual-communication)
avg rating 4.69 — 104 ratings — published 2004
The 50 Greatest Cartoons: As Selected by 1,000 Animation Professionals (Hardcover)
by (shelved 1 time as visual-communication)
avg rating 4.32 — 106 ratings — published 1994
Draplin Design Co.: Pretty Much Everything (Hardcover)
by (shelved 1 time as visual-communication)
avg rating 4.55 — 1,133 ratings — published 2016
The Customer Is Always Wrong (Hardcover)
by (shelved 1 time as visual-communication)
avg rating 3.92 — 1,531 ratings — published 2017
Electrographic Architecture: New York Color, Las Vegas Light, and America's White Imaginary (Paperback)
by (shelved 1 time as visual-communication)
avg rating 0.0 — 0 ratings — published
High-Tech Trash: Glitch, Noise, and Aesthetic Failure (Paperback)
by (shelved 1 time as visual-communication)
avg rating 3.36 — 11 ratings — published 2019
Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code (Hardcover)
by (shelved 1 time as visual-communication)
avg rating 4.37 — 19 ratings — published 2014
A History of Visual Communication (Hardcover)
by (shelved 1 time as visual-communication)
avg rating 3.86 — 22 ratings — published 1986
Geometry of Design: Studies in Proportion and Composition (Paperback)
by (shelved 1 time as visual-communication)
avg rating 4.06 — 654 ratings — published 2001
Rituals for Virtual Meetings: Creative Ways to Engage People and Strengthen Relationships (Paperback)
by (shelved 1 time as visual-communication)
avg rating 3.55 — 105 ratings — published
Storytelling with Data: A Data Visualization Guide for Business Professionals (Paperback)
by (shelved 1 time as visual-communication)
avg rating 4.39 — 7,955 ratings — published 2015
Black Panther, Vol. 1: A Nation Under Our Feet, Book One (Paperback)
by (shelved 1 time as visual-communication)
avg rating 3.74 — 13,575 ratings — published 2016
Buddha, Vol. 1: Kapilavastu (Buddha #1)
by (shelved 1 time as visual-communication)
avg rating 4.17 — 8,537 ratings — published 1972
Communicating Design: Developing Web Site Documentation for Design and Planning (Paperback)
by (shelved 1 time as visual-communication)
avg rating 3.90 — 1,215 ratings — published
“Art is a visual language, not one of words, and so conclusions about artworks based on verbal or written communication are parallel but not a true equivalent.”
― How to Read Paintings
― How to Read Paintings
“But what is the use of the humanities as such? Admittedly they are not practical, and admittedly they concern themselves with the past. Why, it may be asked, should we engage in impractical investigations, and why should we be interested in the past?
The answer to the first question is: because we are interested in reality. Both the humanities and the natural sciences, as well as mathematics and philosophy, have the impractical outlook of what the ancients called vita contemplativa as opposed to vita activa. But is the contemplative life less real or, to be more precise, is its contribution to what we call reality less important, than that of the active life?
The man who takes a paper dollar in exchange for twenty-five apples commits an act of faith, and subjects himself to a theoretical doctrine, as did the mediaeval man who paid for indulgence. The man who is run over by an automobile is run over by mathematics, physics and chemistry. For he who leads the contemplative life cannot help influencing the active, just as he cannot prevent the active life from influencing his thought. Philosophical and psychological theories, historical doctrines and all sorts of speculations and discoveries, have changed, and keep changing, the lives of countless millions. Even he who merely transmits knowledge or learning participates, in his modest way, in the process of shaping reality - of which fact the enemies of humanism are perhaps more keenly aware than its friends. It is impossible to conceive of our world in terms of action alone. Only in God is there a "Coincidence of Act and Thought" as the scholastics put it. Our reality can only be understood as an interpenetration of these two.”
― Meaning in the Visual Arts
The answer to the first question is: because we are interested in reality. Both the humanities and the natural sciences, as well as mathematics and philosophy, have the impractical outlook of what the ancients called vita contemplativa as opposed to vita activa. But is the contemplative life less real or, to be more precise, is its contribution to what we call reality less important, than that of the active life?
The man who takes a paper dollar in exchange for twenty-five apples commits an act of faith, and subjects himself to a theoretical doctrine, as did the mediaeval man who paid for indulgence. The man who is run over by an automobile is run over by mathematics, physics and chemistry. For he who leads the contemplative life cannot help influencing the active, just as he cannot prevent the active life from influencing his thought. Philosophical and psychological theories, historical doctrines and all sorts of speculations and discoveries, have changed, and keep changing, the lives of countless millions. Even he who merely transmits knowledge or learning participates, in his modest way, in the process of shaping reality - of which fact the enemies of humanism are perhaps more keenly aware than its friends. It is impossible to conceive of our world in terms of action alone. Only in God is there a "Coincidence of Act and Thought" as the scholastics put it. Our reality can only be understood as an interpenetration of these two.”
― Meaning in the Visual Arts





