124 books
—
7 voters
Visual Poetry Books
Showing 1-50 of 73
Ghost Of (Paperback)
by (shelved 2 times as visual-poetry)
avg rating 4.33 — 1,360 ratings — published 2018
Hotel Almighty (Paperback)
by (shelved 2 times as visual-poetry)
avg rating 4.54 — 225 ratings — published 2020
Notebookdrawings vol. 7 (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 0.0 — 0 ratings — published
Seeing in tongues: An anthology of visual poetry (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 5.00 — 2 ratings — published
Notebookdrawings vol. 6 (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 0.0 — 0 ratings — published
Maps and Transcripts of the Ordinary World: Poems (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.02 — 80 ratings — published
Book of No Ledge: Visual Poems (Visual Poetry Series)
by (shelved 1 time as visual-poetry)
avg rating 4.24 — 17 ratings — published
Calligrammes: Poems of Peace and War (1913-1916)
by (shelved 1 time as visual-poetry)
avg rating 4.03 — 1,258 ratings — published 1918
Kun for idioter #4-6 1/2 (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.50 — 2 ratings — published
Candle Poems (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.00 — 1 rating — published
Robert Seydel: A Picture Is Always a Book: Further Writings from Book of Ruth (Hardcover)
by (shelved 1 time as visual-poetry)
avg rating 4.75 — 4 ratings — published 2014
Robert Seydel: Book of Ruth (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.48 — 31 ratings — published 2011
Ore Choir: The Lava on Iceland (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.59 — 17 ratings — published 2022
The Fever Poems (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.45 — 20 ratings — published 2021
Dog Ear (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 3.71 — 34 ratings — published 2011
Nets (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 3.89 — 387 ratings — published 2003
A Beautiful Marsupial Afternoon: New (Soma)tics
by (shelved 1 time as visual-poetry)
avg rating 4.30 — 427 ratings — published 2012
pink maggit (ebook)
by (shelved 1 time as visual-poetry)
avg rating 2.33 — 3 ratings — published 2019
Pennine Hillsongs (The Haunted Mask II)
by (shelved 1 time as visual-poetry)
avg rating 3.82 — 11 ratings — published 2018
La felicidad es una pistola caliente (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 3.56 — 25 ratings — published 2017
Antigonick (Hardcover)
by (shelved 1 time as visual-poetry)
avg rating 4.32 — 3,434 ratings — published 2012
Perros habitados por las voces del desierto
by (shelved 1 time as visual-poetry)
avg rating 4.60 — 15 ratings — published 2014
Obras públicas (Hardcover)
by (shelved 1 time as visual-poetry)
avg rating 4.32 — 22 ratings — published
MACRO: An Anthology of Image Macros (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.30 — 10 ratings — published 2016
¿Con qué rima tima? (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 3.62 — 52 ratings — published 2011
Pictures of Salukis Looking Majestic (ebook)
by (shelved 1 time as visual-poetry)
avg rating 4.06 — 17 ratings — published 2011
protracted type (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.00 — 1 rating — published 2009
Anthology of Concrete Poetry (Hardcover)
by (shelved 1 time as visual-poetry)
avg rating 4.07 — 75 ratings — published 1967
The Last Vispo Anthology: Visual Poetry 1998-2008 (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 3.77 — 35 ratings — published 2012
What To Do After She Says No (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 3.50 — 16 ratings — published 2013
A Light in the Attic (Hardcover)
by (shelved 1 time as visual-poetry)
avg rating 4.37 — 478,021 ratings — published 1981
Drift (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 3.85 — 200 ratings — published 2014
Citizen: An American Lyric (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.25 — 52,131 ratings — published 2014
The Thorn (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.43 — 35 ratings — published 2005
James Brown is Dead and Other Poems (Hardcover)
by (shelved 1 time as visual-poetry)
avg rating 3.50 — 4 ratings — published 2011
Rubble Paper, Paper Rubble (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.80 — 5 ratings — published 2013
I Don't Want Anything To Do With The Internet (Unbound)
by (shelved 1 time as visual-poetry)
avg rating 4.50 — 8 ratings — published 2012
Ark Codex ±0 (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 4.43 — 7 ratings — published 2012
Jesus Christ Bury Me Already (ebook)
by (shelved 1 time as visual-poetry)
avg rating 4.29 — 7 ratings — published 2012
West Wind Review 2011 (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 5.00 — 7 ratings — published 2011
nEonsense (Unknown Binding)
by (shelved 1 time as visual-poetry)
avg rating 4.89 — 9 ratings — published 2011
CHILL WAVES Campus A Low Hum 2011 (Paperback)
by (shelved 1 time as visual-poetry)
avg rating 5.00 — 3 ratings — published
“The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.”
― A Philosophy of Walking
― A Philosophy of Walking
“But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.”
― A Philosophy of Walking
― A Philosophy of Walking













