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ARCHIVES > Quarterly Classic Q2/2013 - The Great Gatsby

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message 1: by Chris (new)

Chris Stanley (christinelstanley) | 922 comments After Q1's free choice, which does'nt finish the until end of March, I thought we might start thinking about Q2, April 'til end of June. Maybe we should go with a theme, American Literature, Victorian, 20th century, translated classics, etc.

What do you think?


message 2: by Joan (new)

Joan Quite happy with any of those Chris.


message 3: by Chris (new)

Chris Stanley (christinelstanley) | 922 comments Since nobody has indicated a preference, I thought we might go for 20th century classics. Myself, I enjoy anything Graham Greene so will nominate Brighton Rock.

Please add add your own nominations and I will poll 1oth March


message 4: by Chris (last edited Mar 06, 2013 11:22AM) (new)

Chris Stanley (christinelstanley) | 922 comments Anymore nominations. So much choice for 20th century classics. It doesn't have to be British.


message 6: by Chris (new)

Chris Stanley (christinelstanley) | 922 comments The Great Gatsby won out for the Quarter 2 classic read. Please post your thoughts as you read.

I'm looking forward to your comments on Fitzgerald's writing.


message 7: by Chris (new)

Chris Stanley (christinelstanley) | 922 comments I've managed the first chapter only and already I want to slap Daisy Buchanan! Is that just me? I don't think I'll be reading more than a chapter per reading session with this one.


message 8: by Chris (new)

Chris Stanley (christinelstanley) | 922 comments I found these questions from a literature study site, and wondered if anyone wanted to use them as they read along. No pressure, just for fun!

1.In the very last line of Chapter Three, Nick Carraway claims: "I am one of the few honest people that I have ever known." By the end of the book, Jordan Baker decides that this statement itself a lie. Is Nick Carraway honest? Dishonest? How would we know? If one muppet always tells the truth, and one muppet always lies, how do you know which way to go?

2.Is Nick Carraway necessary? If we got the story through a third person omniscient narrator, what would we lose? Gain?

3.According to the novel, what is it about the past that draws us both forward and leaves us stuck where we are? How can we be set free of the past? Can the novel Gatsby itself help us get free, or does it just leave us stuck in the past?

4.There's no mention of religion until the very end, when Myrtle Wilson's husband claims that he told his wife that she couldn't fool God. Why is this the first mention of God? How does this surprise mention of religion function within the rest of the story?

5.Could this story have taken place in other parts of the United States, like Chicago or Peoria, or were Long Island and New York City the necessary setting?

6.What might be the "something" that Nick is reminded of, yet cannot recall, at the end of Chapter Six? And isn't that moment totally confusing?

7.What is the effect of us getting the information out of order? We don't know the truth about Gatsby until Chapter 6, and we don't know the rest of the truth until Chapter 8. We get even more information when Jay's father shows up; what's the deal?

8.Is Gatsby great? In what way? How might he not be great? Does his greatness evolve over the course of the novel? What is the difference, in this text, between perceived greatness and actual greatness?

9.How does the character of Nick (inside the story, not the voice telling it) change over the course of the novel? What about the narrative voice? Although the entire story is told in retrospect, does the act of telling it create changes in his narrative style? Could it be that both character-Nick and narrator-Nick are changed?

10.Who really was driving when Myrtle was struck and killed? Can Nick be sure? Can we? If Nick insists that a person shouldn't criticize others, then why does it matter who killed her?

11.Take a look at Nick's opening lines. If we take this advice when we read The Great Gatsby, do our views of the novel change? Does refraining from criticism promote compassion, or amorality? Is criticism actually necessary?


message 9: by Chris (new)

Chris Stanley (christinelstanley) | 922 comments I belong to another group reading Gatsby this month, so I'm getting a bit ahead of everyone else here.
No spoilers BUT; I've read it before and I sure have my criticisms of Fitzgerald, but I cannot fault the imagery his writing evokes. I was shocked to recall in detail, the same images I discovered when I studied Gatsby for my A-levels more than 30 years ago!


message 10: by Bridgette (new)

Bridgette | 1282 comments Mod
im quite looking forward to watch the film of it as the trailer looks pretty good. :)i might read the book before i go and see it though so i would know the basic plot line.


message 11: by Joan (new)

Joan Finished this book and just couldn't see the point of it at all. Apologies to those of you who enjoyed the story.


message 12: by Chris (new)

Chris Stanley (christinelstanley) | 922 comments I'm with you on that, annoying and unlikable characters, racism (but that was another time and possibly in context), no plot and a snails pace. I do however like the imagery Fitzgerald evokes.


message 13: by Joan (new)

Joan Chris wrote: "I'm with you on that, annoying and unlikable characters, racism (but that was another time and possibly in context), no plot and a snails pace. I do however like the imagery Fitzgerald evokes."

Chris, I am relieved you said that as I thought I'd been missing something all the way through!


message 14: by Chris (new)

Chris Stanley (christinelstanley) | 922 comments Anyone seen the new Movie? How do you think it compares with the book or even Robert Redford's portrayal of Gatsby?


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