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The Crown Tower
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The Crown Tower Author Q&A - Michael J. Sullivan
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Do you think it's better for people to read this after they've read your Riyria Revelations books or do you feel it matters?

I do think the "best" read is obtained when you read them in publication order. That being said, there are some people who just hate, hate, hate reading out of chronological order, so I made it so that for those that do like that approach, they won't have spoilers that will ruin other books for them.
The thing is, the original order was how I planned to introduce the reader to the characters and the world so that is the "designed way" if you will. Also, I added some little "wink winks" to veteran readers in the prequels. These aren't big plot points, just little tip of the hat to "those in the know."
Thanks for asking ;-)
I read in publication order but I don't think there was anything that spoiled, just moments of 'oh wow' when something connected.


My question is: Did you have input into who narrated the series or did you just get lucky? :)


I agree 1000% about the incredible contributions of Tim Gerard Reynold. He makes me come off much better than I am ;-) He (and the book Theft of Swords) was nominated for an Audie...unfortunately no win.
As to your question...no I had no say on narrator. In fact, I had no say on anything related to the audio other than the fact that it couldn't be abridged without me approving the changes. It is what is called a subsidiary right and the publisher can keep, sell, or do anything they want with it. To be honest, I didn't think the audio books would be made at all (because it can be very expensive and I'm still a small fry) but Recorded Books bought the rights and they did a fabulous job with it.
When the second series was signed, Orbit wanted to take over the audio rights through their publisher. This would have been better for me financially because I would get full royalties (subsidiary rights are shared 50% author / 50% publisher) but I couldn't even consider anyone else doing Royce and Hadrian. So I was able to keep the books where they were - and I'm SO GLAD I did.
For my next two projects, I've sold the audio rights first...and I will get 100% of the royalties AND have say over the narrator - so that is an improvement over the first two contracts. Probably TMI, but I thought some might want to know a bit about how these kinds of things work.

Well, that is interesting about the audio rights, etc. Hmmm. I listen to a lot of audiobooks and am glad to know a little about that.

1. Hollow World - is a science fiction time travel novel that I completed last year. I "Kickstarted it" so there are a tad under 900 people who got the books early and their feedback has been very positive. The book will be released to the "general public" on April 15. I sold the print rights to Tachyon Publications, the audio rights to Recorded Books, and kept the ebook rights. This means I can do some pretty creative things. For instance, I'm giving away free ebook copies for anyone who buys the print book - no matter where they bought it. I'm also providing all fomats together so that people can switch devices without having to buy another copy. Also, I'm distributing them DRM free because I feel that DRM just harms legitimate buyers, without really deterring pirates who can easily remove it.
2. Rhune (working title) is the first book in a new trilogy (The First Empire) that I'm just about done with. I finished up the first draft in late July and the second draft in late September. I'm doing my last pass read-through (with edits) and hope to have that done in a week or so. Then that book will be out of my hands for a bit while my wife gives it her reads/input. Then it will go to the "wider audience" (beta readers, agents, writer friends, critique group). Then I just need to incorporate those changes and it will be pretty much at a stage where I can show it to my publishers.
3. Dherg (working title) is the second book that follows Rhune. My hope is that I can start writing it next week (while my "team" is reviewing the first book). And my hope is that I'll have a first draft done by the end of the year.
============================ Hollow World Blurb ==========================
The future is coming...for some, sooner than others.
Ellis Rogers is an ordinary man who is about to embark on an extraordinary journey. All his life he has played it safe and done the right thing but faced with a terminal illness he’s willing to take an insane gamble. He’s built a time machine in his garage, and if it works, he’ll face a world that challenges his understanding of what it means to be human, what it takes to love, and the cost of paradise. He could find more than a cure for his illness; he might find what everyone has been searching for since time began…but only if he can survive Hollow World.
======================== THE FIRST EMPIRE SERIES =====================
I don't have a "marketing blurb" for this one yet. The premise stems from how a myth grows from real events into a distorted (manipulated) version of what actually happened. In the world of Elan (where my first two series are based), mankind has long worshiped Maribor and his son Novron. They believe Novron defeated the elves and formed the original empire. By the end of that series, (view spoiler) . My plan is to show the actual events behind the forming of the First Empire. My intention is that people won't need to know anything about Riyria to read this new series, but those that have should find it interesting to comparing what I've told them and what the "real truth" is.

How do you go about picking your beta readers? Do you use the same people for each project or do you pick different people based on what the book is about?



I have some beta readers who I just really, really trust so I'll have them involved in any project that they are interested in doing. They just have exceptional perspectives and have really let me see things in a different light.
Bottom line...it's about picking a wide spectrum of people to get a lot of range of input. The best beta readers are't the ones that praise every chapter but rather those who mention aspects that 'didn't work for them.' In some cases, that will be an isolated statement. But when you hear 2 - 4 people mentioning the same thing then you know it's worth looking at pretty seriously.

I have been fortunate in that reviewers (both professional and readers who post on sites like goodreads and Amazon) have been very positive and that helps a great deal. In general, you need to have people hear about the books, but it is going to be once they look at some of the reviews, or the sample chapter, that they will move off the fence.
Speaking of the sample chapter...I always tell authors that you need to really grab the readers right out the gate. I've heard many positive things about the opening scene of Theft of Swords and that has definitely played it's part. I also have a free short story which is fast, fun, and is a good way to entice people to at least give my work a "look-see."
I'm also fortunate in that my books have an actual marketing budget (due to a higher than average advance attached). This means I do get publisher promotion (most books don't) but it is short lived. What you have to remember is each month a new set of books is coming out and so you get some attention during your launch - but then the marketing department has moved on to the next set. Regardless of what the publisher does, a savvy writer is out there spreading the word or they will fade quickly into obscurity.
Thanks for the question - it was a good one!

Interesting thing about Fafhrd and the Gray Mouser. I've not read any of Liber's works (and didn't even know they existed until after the books were published). I hear there are similarities and I'm avoiding them as to not influence my writing. The day people see me review his books is probably a good indication that I don't think there will be any future Royce and Hadrian novels.
The way I found out about them was in reading a review. In my second book I mention "The Grey Mouse Inn" and the person thought I was being very clever as my characters were very much influenced by his. I little google searching and I found his books. So that particular reader gave me more credit than they should. It just was a name I pulled out of my head and I wasn't trying to pay homage or have a little Easter Egg to that effect.






Yeah, there will be. It's just that the book is so new and it takes a little bit longer for the physical version because slipcovers & CD's need to be printed and the CD's have to be duplicated. It came out 9/17 so I would suspect by 10/17 it should be live.

Not much help to me. I boycott (i.e. refuse to spend my hard earned money at) all things Amazon (and Audible is 100% Amazon).
Thanks anyway.

I've enjoyed reading this thread. Thanks for taking the time to chat to us Michael. Did you ever consider giving up and getting a job before you hit 'success'?

I don`t quite have a question just wanted to express my gratitude for so much positive emotions.

For number of books I break up the larger story arch and find the various timelines where major events occur. Then I come up with the climax that each would need and that determined how many books were required.
For words per book...I seem to always tell a tale in about 100,000 words - It something about how my brain is hardwired. When I try to write longer, I end up cutting out what looks like "fluff to me - and lo and behold - I'm at 100,000 words.
Percepliquis was longer than most - but being the last book I had a lot to tie up.

As for 'day job' I was a stay at home dad and wrote when the kids napped. As they grew up, and after I had given up writing I did get a "day job" as my own boss (I don't play well with others) by starting my own advertising agency.


Books mentioned in this topic
The Rose and the Thorn (other topics)Unfettered (other topics)
Rise of Empire (other topics)
The Crown Tower (other topics)
Thanks in advance, Michael. I'm looking forward to the discussion.