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Werner
(last edited Jun 13, 2020 06:04PM)
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Dec 08, 2017 11:04AM

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For my own classics shelf, I use 1950 as a fixed cut-off date, which doesn't move. A constantly-moving date suggests that all there is to "classic" status is a fixed gap of years since publication; and I think there has to be more to it than that, though age is certainly part of it. (I have trouble thinking of works contemporary with myself --I was born in 1952-- as "classics," for instance.) There's also a certain imprimatur of collective reader's judgment of worth, and I don't see that as automatically conferred every year on a whole new crop of "graduates," as it were. And to my mind, "classics" emerge out of an older cultural milieu, with more time and capacity for artistry and serious reflection. IMO, those qualities tended to be lost, or to become rarer, in the later 20th century, at least in the West.
That said, we're talking about a group thread, not my personal shelf! So for the latter, I'm willing to go along with the collective judgment of the majority (or the majority of those that have an opinion :-) ).

I can see your point on dating classics. I'll be interested to read the thoughts of other group members.

I can see your point on dating classics. I'll be interested to read the thoughts of other group members."
You're welcome, Janelle! I've only checked out the first two or three frames of that shelf, so I'll probably be back from time to time. :-)

Charly, I would definitely agree with that! I'm even thinking that for lounge-wide threads, we could consider the 1950 cut-off date as a basic guideline, with some flexibility for exceptions at the moderators' discretion. There are some later works, like To Kill a Mockingbird, which I think can be said to have been recognized over a pretty long time, and by a pretty wide cultural consensus, as having classic literary merit, and which I'd be comfortable with including. (But I'd probably draw the line at James Patterson. :-) )

Sounds good to me, Charly!



I'm attending as Alice (of Wonderland fame). Please look out for me if you should see the Queen of Tarts, er Hearts. Many thanks! ;-)



...I'd really love for us to attempt another group read. Please post your ideas on this.

This year, I've also agreed to take part in a common read in yet another group during the month of May, of The Mysteries of Udolpho (which is a very long book). (It's been on my to-read shelf forever, and one of my Goodreads friends in the group invited me --it's not one of their group-wide reads, but a smaller-scale "buddy read.") And I've set a self-imposed goal of finishing the Leatherstocking Tales series this year, which I expect will tie up April and June (I have two books to go, and they're thick ones).
That leaves possible windows of opportunity in July and December. I'm usually out of town on vacation for a few days in early July, and don't get any of my regular reading done then; but I could probably start a book a bit late and still finish before August. For the last few years, I've been reading an older Christmas-themed book in December, in order to contribute something to a thread on Christmas classics in another group; but there's no rule in that group that requires that practice, and I'm not wedded to the idea of doing it every single year.

I wouldn't be averse to that idea. One book that we have at the BC library is Gail Rock's The House Without a Christmas Tree (1974). It's a short book; and while it was marketed to younger readers, one of my Goodreads friends found it a worthwhile read for adults as well. (His review is here: https://www.goodreads.com/review/show... .)

I'm currently reading one, and have another scheduled for July. And whatever book the Vintage Tales group picks for this year's common read in September will add another. Then too, I may manage to read one or two others this year as well.





Last year, we officially counted 39 classics read by group members. But I'm pretty sure that, given the size of our membership, we have some members who don't post classics that they read. If everybody will post this year, I'm confident we can achieve a higher total (an even 40 at least! :-) ).

If I correctly understand how the Goodreads program works, any time you move a book from your "currently reading" shelf to your "read" shelf, it automatically enters that day's date as the "date finished" for you (though you can modify that, if you actually finished earlier). So there's not too much problem with current reads. But with books a person simply puts on their "read" shelf (as I do, for instance, with books read pre-Goodreads), there's no automatic entry of a date. (I typically can't remember the exact date when I read things, and usually don't try to enter a rough date unless and until I do a retrospective review of the book.)

Oh yes, they most definitely have to click "Save" for it to register! (And it's quite possible that some people don't realize that; unfortunately, Goodreads doesn't make any attempt to teach newbies how to use the site. :-( ) And yes, accidental or intentional failure to post reads is a significant problem. (Sigh!)



I think the age of a work is an important component of what makes it a classic, if we think of classics as works that have stood the test of a significant amount of time. Of course, there are some that have NOT stood the test of time particularly well --so that may be where "noteworthiness of content" come into consideration. For instance, Thomas Dixon's The Clansman An Historical Romance of the Ku Klux Klan, published in 1905, is pretty old, but I wouldn't consider it a classic (and don't think it had much merit when it was first published, either!)


Personally, I trust your judgment. As you noted, much of Christie's literary output is unquestionably in the chronological range we think of as classic; and a book that's been around for some 57 years has stood some degree of the test of time! :-)




On the other hand, for me, one of the purpose of reading is to improve my English which is a language I acquired in adulthood. And I find that, by adding these readings in my list, I can easily refresh my memory of some low-frequency words that I encountered in these books and which are associated in my mind to a person or an event in these books. For example, 'ignoratio elenchi' is associated with a character (a crazy person) in Dracula; 'escritoire', a piece of furniture, is used by a Colonel in the book The Day of the Jackal, and 'apron' (an area with a hard surface at an airport) is where Charles de Gaulle's chauffeur took him to catch a helicopter after a failed assassination attempt on his life.
So I not only keep a list, I also keep some of these books on my bookshelf. But that's just me.

Li wrote: "I agree that keeping a tally for no purpose is silly. I'm an advocate of reading slow, word for word, so I can never compete with anyone in the 2019 goodreads reading challenge or in any year's challenge."
As I understand it, none of the "challenges," in this group or elsewhere on Goodreads, are intended to be competitive. Rather, they're individual challenges to ourselves, to encourage us to read more, or to read more of a certain type of book. Personally, I don't take part in the annual Goodreads challenges because I don't need to; I already read all that I can without the challenge. But I do sometimes encourage myself to read more of a certain type of book that I feel is worthwhile or rewarding.
Nobody that I know of reads books solely for the purpose of tallying them; we all read for a variety of purposes, but they're all intrinsic to the reading itself. Given that we're reading for what the read itself will contribute to us, though, some of us also find it fun to count the number of books we read in a year, for a certain feeling of accomplishment that has nothing to do with competing with anyone else. And this group's classics challenge is a corporate version of the same thing --both an encouragement to individuals to read more classics that might otherwise be neglected, and a way of seeing an accomplishment as a group over a year.
These thoughts are by way of explanation, not to impose an obligation. Everybody has their own approach to reading; and some might not want a record of their own reading, nor have any interest in seeing how much they read or don't read. For those reasons, participation in any challenge in this group is always strictly voluntary --we figure people join this group so they can enjoy it in their own way, not so they can feel burdened with obligations!
Books mentioned in this topic
The Divine Comedy: Volume 2: Purgatorio (other topics)The Chimes (other topics)
The Oxford Book of English Ghost Stories (other topics)
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The Canterville Ghost (other topics)
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Authors mentioned in this topic
Charles Dickens (other topics)Walter Scott (other topics)
George Orwell (other topics)
Hans Christian Andersen (other topics)
Hablot Knight Browne (other topics)
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