Below is a Kirkus Indie review of my novel End Man, which is still in manuscript form. Independent publishers and authors have to pay for the review, but the reviewers are regular Kirkus reviewers and the review follows the standard format. Admittedly, even if the reviewer is not fond of the book, they'll toss out a euphemistic bone. That said, based on the review would the novel interest you as a reader of mysteries/thrillers?
KIRKUS INDIE BOOK REVIEW
In this debut SF novel, a detective who investigates faked deaths finds himself on the trail of a man who might change his life.
Raphael Lennon is an End Man: an employee of the Norval Department of Marketing Necrology, whose business is to hoard the online personal data of the recently deceased and sell it to the highest bidder. He’s also a struggling artist with a fear of crossing streets, which confines him to living within one square mile of Los Angeles. Raphael specifically works as a so-called “possum specialist,” tasked with rooting out those people who have faked their own deaths in an attempt to disappear. His current case is physicist Jason Klaes, whose accounts have been active even after he was recently declared dead. But why would Klaes fake his death? (“The usual alarms hadn’t sounded: no darknet sites, no online queries about disappearing from society, no underage girlfriends or boyfriends, no cryptocurrency plays or big insurance policies.”) Perhaps the most mysterious aspect of the case is why Raphael’s boss, infamous CEO Geo Maglio, wants Klaes investigated so badly. Raphael follows the clues, and before long he comes across a conspiracy involving new technologies, dangerous parties, and secrets linked to his own family. Raphael soon learns that when you pry too deeply into the business of the dead, sometimes you end up joining them. Austin’s prose is urgent and colorful, painting a dystopian world at once alien and familiar: “A mile above the museum, a weather drone circled, prepared to alter the weather if the dense, white clouds darkened. Even from a distance the machine appeared huge and menacing, as if designed for warfare.” The premise is highly imaginative, and the author brings it to life with a group of colorful and well-drawn characters. Raphael in particular has a complex interior life that will pull readers into his mission. For all the cyberpunk elements, the novel is ultimately a contemporary parable about people’s increasingly online lives and the extent to which they have become products to be bought and sold without much consideration or consent.
An engrossing and well-crafted SF tale with timely themes
KIRKUS INDIE BOOK REVIEW
In this debut SF novel, a detective who investigates faked deaths finds himself on the trail of a man who might change his life.
Raphael Lennon is an End Man: an employee of the Norval Department of Marketing Necrology, whose business is to hoard the online personal data of the recently deceased and sell it to the highest bidder. He’s also a struggling artist with a fear of crossing streets, which confines him to living within one square mile of Los Angeles. Raphael specifically works as a so-called “possum specialist,” tasked with rooting out those people who have faked their own deaths in an attempt to disappear. His current case is physicist Jason Klaes, whose accounts have been active even after he was recently declared dead. But why would Klaes fake his death? (“The usual alarms hadn’t sounded: no darknet sites, no online queries about disappearing from society, no underage girlfriends or boyfriends, no cryptocurrency plays or big insurance policies.”) Perhaps the most mysterious aspect of the case is why Raphael’s boss, infamous CEO Geo Maglio, wants Klaes investigated so badly. Raphael follows the clues, and before long he comes across a conspiracy involving new technologies, dangerous parties, and secrets linked to his own family. Raphael soon learns that when you pry too deeply into the business of the dead, sometimes you end up joining them. Austin’s prose is urgent and colorful, painting a dystopian world at once alien and familiar: “A mile above the museum, a weather drone circled, prepared to alter the weather if the dense, white clouds darkened. Even from a distance the machine appeared huge and menacing, as if designed for warfare.” The premise is highly imaginative, and the author brings it to life with a group of colorful and well-drawn characters. Raphael in particular has a complex interior life that will pull readers into his mission. For all the cyberpunk elements, the novel is ultimately a contemporary parable about people’s increasingly online lives and the extent to which they have become products to be bought and sold without much consideration or consent.
An engrossing and well-crafted SF tale with timely themes