Chuck Palahniuk Rocks My Socks discussion
If you like Chuck then you'll like...
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Ben
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Nov 20, 2008 11:51AM

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Palahniuk is writing in the minimalist style. He learned it from Tom Spanbauer. Spanbauer is more "existential" than Palahniuk moving through the angst of existence.
If you like CP you'll probably enjoy Bret Easton Ellis (Less than Zero, Rules of Attraction). I would also recommend Larry Brown (Father and Son), Denis Johnson (Jesus' Son), Thom Jones (Cold Snap, The Pugulist at Rest), Joan Didion (Play It As It Lays; Democracy), Stewart O'Nan (A Prayer for the Dying), anything by Hemingway, Katherine Dunn (Geek Love), Joy Williams (Breaking and Entering; Taking Care; Ill Nature), Michel Houellebecq (Platform), Jim Knipfel (Slackjaw), Lucy Ellmann (Dot in the Universe) . . .
I host a Reading Chuck Palahniuk group via Chapters-Indigo. The archives are littered with recommendations. Most of the above have been mentioned by Palahniuk as his favourite books.
http://community.indigo.ca/posts/Read...
If you like CP you'll probably enjoy Bret Easton Ellis (Less than Zero, Rules of Attraction). I would also recommend Larry Brown (Father and Son), Denis Johnson (Jesus' Son), Thom Jones (Cold Snap, The Pugulist at Rest), Joan Didion (Play It As It Lays; Democracy), Stewart O'Nan (A Prayer for the Dying), anything by Hemingway, Katherine Dunn (Geek Love), Joy Williams (Breaking and Entering; Taking Care; Ill Nature), Michel Houellebecq (Platform), Jim Knipfel (Slackjaw), Lucy Ellmann (Dot in the Universe) . . .
I host a Reading Chuck Palahniuk group via Chapters-Indigo. The archives are littered with recommendations. Most of the above have been mentioned by Palahniuk as his favourite books.
http://community.indigo.ca/posts/Read...

Sure. Two of Palahniuk's favourites:
Katherine Dunn, Geek Love (novel)
Thom Jones, Cold Snap (short stories)
If you like short stories: Amy Hempel and Mark Richard are foundational for CPs writing, at least in terms of style.
Katherine Dunn, Geek Love (novel)
Thom Jones, Cold Snap (short stories)
If you like short stories: Amy Hempel and Mark Richard are foundational for CPs writing, at least in terms of style.




Burgess: Clockwork Orange, The Doctor is Sick, The Wanting Seed just to name a few pieces)
Johnson: Christy Malry's Own Double Entry, etc
Oliver Sacks, Cormac McCarthy, Upton Sinclair.... there are many voices eagerly waiting to be heard...

Definitely a good place to find suggestions and colorful forum posts.
http://chuckpalahniuk.net/forum/1000029
Bret Easton Ellis comes up a lot, as does Amy Hempel. Haruki Murikami is a favorite. I loved Raw Shark Texts personally. But yeah, all kinds of good stuff.





read Lunar Moon next,its a cross between fantasy and reality, ghost story and hysteria, it will keep you on your toes





I concur.


"WHEN YOU STUDY MINIMALISM IN THE NOVELIST Tom Spanbauer's workshop, the first story you read is Amy Hempel's The Harvest. After that, you're ruined. I'm not kidding. You go there, and almost every other book you ever read will suck. All those thick, third-person, plot-driven books torn from the pages of today's news -- after Amy Hempel, you'll save yourself a lot of time and money.
Or not. Every year on my tax return's itemized C schedule, I deduct more money for new copies of Hempel's three books, Reasons To Live, At the Gates of the Animal Kingdom and Tumble Home. Every year, I want to share these books. What happens is they never come back. Good books never do. This is why my office shelves are crowded with nonfiction too gross for most people, mostly forensic autopsy textbooks, and a ton of novels I hate.
At a bar in New York last year, the literary bar KGB in the East Village, Hempel told me her first book is out of print. The only copy I know of is behind glass in the rare-book room at Powell's Books in Portland, a first-edition hardcover selling for $75 without a signature. I have a rule about meeting the flesh-and-blood version of people whose work I love -- that rule I'm saving for the end.
Unless Hempel's books are reprinted, I may end up spending more or making fewer friends. You cannot not push these books on people, saying, "Read this," saying, "Is it just me, or did it make you cry, too?" I once gave Animal Kingdom to a friend and said, "If you don't love this, we have nothing in common."
Every sentence isn't just crafted, it's tortured over. Every quote and joke, what Hempel tosses out comedian-style, is something funny or profound enough you'll remember it for years. The same way, I sense, Hempel has remembered it, held on to it, saved it for a place where it could really shine. Scary jewelry metaphor, but her stories are studded and set with these compelling bits. Chocolate chip cookies with no bland "cookie" matrix, just nothing but chips and chopped walnuts.
In that way, her experience becomes your experience. Teachers talk about how students need to have an emotional breakthrough, an "ah-hah!" discovery moment in order to retain information. Fran Lebowitz still writes about the moment she first looked at a clock and grasped the concept of telling time. Hempel's work is nothing but these flashes, and every flash makes you ache with recognition.
...The only problem with Hempel's palace of fragments is quoting it. Take any piece out of context, and it loses power. The French philosopher Jacques Derrida likens writing fiction to a software code that operates in the hardware of your mind. Stringing together separate macros that, combined, will create a reaction. No fiction does this as well as Hempel's, but each story is so tight, so boiled to bare facts, that all you can do is lie on the floor, face down, and praise it."
The nice thing is, she's never been an pop icon for the general public--go figure--so you can get her complete works for like $15. It's sad because it's worth a fortune more.