Khadija ☕︎

“A lock is like a woman,” he’d said blearily. “You have to seduce it into giving up its secrets.” He was one of Per Haskell’s old cronies, happy to talk about better days and big scams, especially if it meant he didn’t have to do much work. And that was exactly the kind of muddled wisdom these old cadgers loved to spout. Sure, a lock was like a woman. It was also like a man and anyone or anything else—if you wanted to understand it, you had to take it apart and see how it worked. If you wanted to master it, you had to learn it so well you could put it back together.”
― Leigh Bardugo, Crooked Kingdom

“Read to me"
"Why?"
"Because you go somewhere else when you read. I want to go there with you”
― The Upside of Falling, by Alex Light

“I saw the prince when I was in Os Alta,” said Ekaterina. “He’s not bad looking.”
“Not bad looking?” said another voice. “He’s damnably handsome.”
Luchenko scowled. “Since when—”
“Brave in battle, smart as a whip.” Now the voice seemed to be coming from above us. Luchenko craned his neck, peering into the trees. “An excellent dancer,” said the voice. “Oh, and an even better shot.”
“Who—” Luchenko never got to finish. A blast rang out, and a tiny black hole appeared between his eyes.
I gasped. “Imposs—”
“Don’t say it,” muttered Mal.”
― Leigh Bardugo, Ruin and Rising

“Let’s all forsake,
The Land of Wake,
And break for the Land of Nod.

Where we can try,
To touch the sky,
Or dance beneath the sod.

A toll for the living,
A toll for the lost,
A toll for the wise ones,
Who tally the cost,

So let’s escape,
Due south of Wake,
And make for the Land of Nod.”
― Neal Shusterman, Thunderhead