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On The Origin of ...
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Under the Hill, a...
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Sofón No. 3
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— Jul 12, 2026 02:26AM

 
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Maaza Mengiste
“Kidane looks again at the photograph. Sunlight blazes on a group of men just behind the front columns. They are ascari, those soldiers from Eritrea, Somalia, Libya, and even Ethiopia fighting for the Italians. Even in the slight blur of movement, it is easy to see their crisp new uniforms. Those new rifles and ammunition belts. Kidane stiffens. When the time comes, his men will be able to count on speed and their familiarity with the area surrounding Gondar. They can have faith in the benevolence of villagers. They can rely on the monks living in caves, can demand assistance from those hermits who have pledged a life free from human contact. But nothing except skill and surprise can help Kidane and his men against the ascari who know as much as they do about this terrain, who can force villagers and monks into submission, and can bend the same rain and fog in their direction. Aklilu approaches and motions behind him toward the narrow trail that brought them to this plateau. Kidane points in the opposite direction. Aklilu understands. They cannot use even the faintest semblance of a path. Every step they take from now on will have to be erased, their presence rendered invisible to an enemy as calculating as they.”
― Maaza Mengiste, The Shadow King

Ferdia  Lennon
“You don’t rob a man of his suffering,’ says Gelon quietly. ‘That’s his.”
― Ferdia Lennon, Glorious Exploits

Maaza Mengiste
“Kidane knows the Italians will declare their first victory in Adua, that city where they were first shamed during his father’s generation. They will try to rewrite the memory of that day forty years ago, in 1896, when they were brought to their knees then forced to prostrate themselves before proud Ethiopian warriors. This is all for Adua, for that place that is more than a place. They have come to rewrite history, to alter memory, to resurrect their dead and refashion them as heroes.”
― Maaza Mengiste, The Shadow King

Jonathan Safran Foer
“I think that this is why I relish writing for you so much. It makes it possible for me to be not like I am, but as I desire for Little Igor to see me. I can be funny, because I have time to meditate about how to be funny, and I can repair my mistakes when I perform mistakes, and I can be a melancholy person in manners that are interesting, not only melancholy. With writing, we have second chances.”
― Jonathan Safran Foer, Everything is Illuminated

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