CJ Lu Sing

“I'm wondering whether I can explain," said Lee. "Where there is no likeness of experience it's very difficult. I understand you were not born in America."
"No, in Ireland."
"And in a few years you can almost disappear; while I, who was born in Grass Valley, went to school and several years to the University of California, have no chance of mixing."
"If you cut your queue, dressed and talked like other people?"
"No. I tried it. To the so-called whites I was still a Chinese, but an untrustworthy one; and at the same time my Chinese friends steered clear of me. I had to give it up.”
― John Steinbeck, East of Eden

“Lee said, “Remember, Mr. Hamilton, I told you I was trying to translate some old Chinese poetry
into English? No, don’t worry. I won’t read it. Doing it, I found some of the old things as fresh and clear as this morning. And I wondered why. And, of course, people are interested only in themselves. If a story is not about the hearer he will not listen. And I here make a rule—a great and lasting story is about everyone or it will not last. The strange and foreign is not interesting—only the deeply personal and familiar.”
― John Steinbeck, East of Eden

“Adam said, "I can't get over a feeling that Cain got the dirty end of the stick."
"Maybe he did," said Samuel. "But Cain lived and had children, and Abel lives only in the story. We are Cain's children. And isn't it strange that three grown men, here in a century so many thousands of years away, discuss this crime as though it happened in King City yesterday and hadn't come up for trial?”
― John Steinbeck, East of Eden

“I think I can,” Lee answered Samuel. “I think this is the best-known story in the world because it is everybody’s story. I think it is the symbol story of the human soul. I’m feeling my way now—don’t jump on me if I’m not clear. The greatest terror a child can have is that he is not loved, and rejection is the hell he fears. I think everyone in the world to a large or small extent has felt rejection. And with rejection comes anger, and with anger some kind of crime in revenge for the rejection, and with the crime guilt—and there is the story of mankind. I think that if rejection could be amputated, the human would not be what he is. Maybe there would be fewer crazy people. I am sure in myself there would not be many jails. It is all there—the start, the beginning. One child, refused the love he craves, kicks the cat and hides his secret guilt; and another steals so that money will make him loved; and a third conquers the world—and always the guilt and revenge and more guilt. The human is the only guilty animal. Now wait! Therefore I think this old and terrible story is important because it is a chart of the soul—the secret, rejected, guilty soul. Mr. Trask, you said you did not kill your brother and then you remembered something. I don’t want to know what it was, but was it very far apart from Cain and Abel? And what do you think of my Oriental patter, Mr. Hamilton? You know I am no more Oriental than you are.”
― John Steinbeck, East of Eden