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“The Saint whose water can light lamps, the clairvoyant whose lapse in recall is the breath of God, the true paranoid for whom all is organized in spheres joyful or threatening about the central pulse of himself, the dreamer whose puns probe ancient fetid shafts and tunnels of truth all act in the same special relevance to the word, or whatever it is the word is there, buffering, to protect us from. The act of metaphor than was a thrust at truth and a lie, depending where you were: inside, safe or outside, lost.”
― The Crying of Lot 49
― The Crying of Lot 49
“His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or revery, he had heard their tale before.”
― A Portrait of the Artist as a Young Man
― A Portrait of the Artist as a Young Man
“Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.”
― Crime and Punishment
― Crime and Punishment
“Behind the hieroglyphic streets there would either be a transcendent meaning, or only the earth.... Another mode of meaning behind the obvious, or none. Either Oedipa in the orbiting of a true paranoia, or a real Tristero. For there either was some Tristero beyond the appearance of the legacy of America, or there was just America and if there was just America then it seemed the only wa[y] she could continue, and manage to be at all relevant to it, was as an alien, unfurrowed, assumed full circle into some paranoia.”
― The Crying of Lot 49
― The Crying of Lot 49
“She looked down a slope, needing to squint for the sunlight, onto a vast sprawl of houses which had grown up all together, like a well-tended crop, from the dull brown earth; and she thought of the time she’d opened a transistor radio to replace a battery and seen her first printed circuit. The ordered swirl of houses and streets, from this high angle, sprang at her now with the same unexpected, astonishing clarity as the circuit card had. Though she knew even less about radios than about Southern Californians, there were to both outward patterns a hieroglyphic sense of concealed meaning, of an intent to communicate. There’d seemed no limit to what the printed circuit could have told her (if she had tried to find out); so in her first minute of San Narciso, a revelation also trembled just past the threshold of her understanding.”
― The Crying of Lot 49
― The Crying of Lot 49
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