An Outside Context Problem was the sort of thing most civilisations encountered just once, and which they tended to encounter rather in the same way a sentence encountered a full stop.
“Fishermen know that the sea is dangerous
and the storm fearsome, but they have never found these dangers sufficient reason for remaining ashore. They leave that wisdom to those to whom it appeals. When the storm comes - when night falls - what's worse: the danger or the fear of danger? Give me reality, the danger itself.”
― Dear Theo Selected Letters of Vincent van Gogh
and the storm fearsome, but they have never found these dangers sufficient reason for remaining ashore. They leave that wisdom to those to whom it appeals. When the storm comes - when night falls - what's worse: the danger or the fear of danger? Give me reality, the danger itself.”
― Dear Theo Selected Letters of Vincent van Gogh
“A child that is not embraced by the village will burn it down to feel its warmth”
―
―
“A person who thinks all the time has nothing to think about except thoughts. So, he loses touch with reality and lives in a world of illusions.”
―
―
“Having “Having a Coke with You” with You
You asked me if I knew the poem “Having a Coke with You”
I said I vaguely remembered it but didn’t really
so you recited it in its entirety. We were walking
from somewhere up by City Hall down toward South Street
and the whole time you were reciting it I was wondering
“Was that the last line of the poem?” after each line
and each time I thought that, I thought it even more
because as the poem got longer the fact that you were reciting it
from memory became incrementally harder to believe
until about two-thirds of the way through the poem
I stopped thinking about how long it was and just started listening
which I had been, but only a little, because of all that. Anyway
then I started listening to it completely, believing
the poem itself to be the sole reason you were reciting it
but as soon as you finished you started to talk about how
you used to think that that poem was just about how
liberatingly banal being in love with someone was
but then you said you’d started to think more recently
it was more about the idiocy of caring about art at all
when you could spend all that energy caring about someone
you loved instead, and you said you were wondering where
I stood on that question now that I had heard the poem
and I was as struck by the question as I was stunned
that you could so casually recite such a long good poem
and that you hadn't even recited it primarily to solicit
appreciation for your recitation so much as to ask
what I thought about what you had thought about it
then, versus how you thought about it now, and this was
when I knew I wanted to be with you forever.”
― Returning the Sword to the Stone
You asked me if I knew the poem “Having a Coke with You”
I said I vaguely remembered it but didn’t really
so you recited it in its entirety. We were walking
from somewhere up by City Hall down toward South Street
and the whole time you were reciting it I was wondering
“Was that the last line of the poem?” after each line
and each time I thought that, I thought it even more
because as the poem got longer the fact that you were reciting it
from memory became incrementally harder to believe
until about two-thirds of the way through the poem
I stopped thinking about how long it was and just started listening
which I had been, but only a little, because of all that. Anyway
then I started listening to it completely, believing
the poem itself to be the sole reason you were reciting it
but as soon as you finished you started to talk about how
you used to think that that poem was just about how
liberatingly banal being in love with someone was
but then you said you’d started to think more recently
it was more about the idiocy of caring about art at all
when you could spend all that energy caring about someone
you loved instead, and you said you were wondering where
I stood on that question now that I had heard the poem
and I was as struck by the question as I was stunned
that you could so casually recite such a long good poem
and that you hadn't even recited it primarily to solicit
appreciation for your recitation so much as to ask
what I thought about what you had thought about it
then, versus how you thought about it now, and this was
when I knew I wanted to be with you forever.”
― Returning the Sword to the Stone
Oscar’s 2025 Year in Books
Take a look at Oscar’s Year in Books, including some fun facts about their reading.
Favorite Genres
Polls voted on by Oscar
Lists liked by Oscar
































