Stuart Sonday

“he couldn't entice me with his pills, hookers, guns or war mission”
― Edward Williams, Framed & Hunted: A True Story of Occult Persecution

“You don’t think he’s our man?” asked Adam. It occurred to him that Ramsbottom was not exactly forthcoming with information.
“I didn’t say that,” Ramsbottom said. “In fact he is behaving very cautiously indeed, which makes me feel very suspicious.”
“He has probably figured out that you are following him,” said Adam. “One can hardly fail to notice you hanging around all the time.”
“That may be so,” said Ramsbottom.
“Can’t you get a disguise or something?” asked Adam. “So he does not recognise you.”
― Max Nowaz, Get Rich or Get Lucky

“You shall address me as ‘My Dearest’,’ he repeated in a mocking voice, trying to copy her tone. ‘You will forget all about this conversation when you leave this room.’ It was interesting that tone; it had a sort of hypnotising ring to it.”
― Max Nowaz, The Three Witches and the Master

“It showed a tiny baby girl floating in a clear glass vessel. The baby held a silver rose in one hand, a golden rose in the other. On its feet were tiny wings, and drops of red liquid showered down on the baby’s long black hair. Underneath the image was a label written in thick black ink indicating that it was a depiction of the philosophical child—an allegorical representation of a crucial step in creating the philosopher’s stone, the chemical substance that promised to make its owner healthy, wealthy, and wise. The colors were luminous and strikingly well preserved. Artists had once mixed crushed stone and gems into their paints to produce such powerful colors. And the image itself had been drawn by someone with real artistic skill. I had to sit on my hands to keep them from trying to learn more from a touch here and there.”
― Deborah Harkness, A Discovery of Witches