Karan

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Book cover for Tell Me How it Ends: An Essay in Forty Questions
“I understood, some time after, that once you stay here long enough, you begin to remember the place where you originally came from the way a backyard might look from a high window in the deep of winter: a skeleton of the world, a tract of ...more
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“he had found himself increasingly at odds with the prevailing orthodoxies of the contemporary feminist left, which seemed to him to have abandoned the worthy goal of equality between the sexes in pursuit of either naked self-interest or revenge. He could not accept a worldview whose terms he was not allowed to question, and he resented the caricature of power and entitlement that he was forever being told that he embodied, automatically and absolutely, no matter what his intentions were, and no matter what he felt or thought, or even did;”
Eleanor Catton, Birnam Wood

Ottessa Moshfegh
“It also concerned me that my demise would have no great impact, that I could blow my head off and people would say, “That’s all right. Let’s get something to eat.” That”
Ottessa Moshfegh, Eileen

E.M. Forster
“We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm - yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine.”
E.M. Forster, A Room with a View

Ottessa Moshfegh
“A grown woman is like a coyote--she can get by on very little. Men are more like house cats. Leave them alone for too long and they'll die of sadness”
Ottessa Moshfegh, Eileen

Gabrielle Zevin
“A truly magnificent thing about the way the brain was coded, Sam thought, was that it could say “Excuse me” while meaning “Screw you.” Unless they were unreliable or clearly established as lunatics or scoundrels, characters in novels, movies, and games were meant to be taken at face value—the totality of what they did or what they said. But people—the ordinary, the decent and basically honest—couldn’t get through the day without that one indispensable bit of programming that allowed you to say one thing and mean, feel, even do, another.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

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