Discover new books on Goodreads
Meet your next favorite book
“If sexual physiology provides the pattern for our experience of the world, what is woman's basic metaphor? It is mystery, the hidden. Karen Horney speaks of a girl's inability to see her genitals and a boy's ability to see his as the source of "the greater subjectivity of women as compared with the greater objectivity of men." To rephrase this with my different emphasis: men's delusional certitude that objectivity is possible is based on the visibility of their genitals. Second, this certitude is a defensive swerve from the anxiety-inducing invisibility of the womb. Women tend to be more realistic and less obsessional because of their toleration for ambiguity which they learn from their inability to learn about their own bodies. Women accept limited knowledge as their natural condition, a great human truth that a man may take a lifetime to reach.
The female body’s unbearable hiddenness applies to all aspects men’s dealings with women. What does it look like in there? Did she have an orgasm? Is it really my child? Who was my real father? Mystery surrounds women’s sexuality. This mystery is the main reason for the imprisonment man has imposed on women. Only by confining his wife in a locked harem guarded by eunuchs could he be certain that her son was also his.”
― Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson
The female body’s unbearable hiddenness applies to all aspects men’s dealings with women. What does it look like in there? Did she have an orgasm? Is it really my child? Who was my real father? Mystery surrounds women’s sexuality. This mystery is the main reason for the imprisonment man has imposed on women. Only by confining his wife in a locked harem guarded by eunuchs could he be certain that her son was also his.”
― Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson
“The humblest citizen in all the land, when clad in the armour of a righteous cause, is stronger than all the hosts of error." -John Dos Passos”
― The 42nd Parallel
― The 42nd Parallel
“The young man walks by himself, fast but not fast enough, far but not far enough (faces slide out of sight, talk trails into tattered scraps, footsteps tap fainter in alleys); he must catch the last subway, the streetcar, the bus, run up the gangplanks of all the steamboats, register at all the hotels, work in the cities, answer the wantads, learn the trades, take up the jobs, live in all the boardinghouses, sleep in all the beds. One bed is not enough, one job is not enough, one life is not enough. At night, head swimming with wants, he walks by himself alone.”
― The 42nd Parallel
― The 42nd Parallel
“I was unhappy for a long time, and very lonesome, living with my grandmother. Then it was that books began to happen to me, and I began to believe in nothing but books and the wonderful world in books — where if people suffered, they suffered in beautiful language, not in monosyllables, as we did in Kansas.”
―
―
“All roads from Rousseau lead to Sade.”
― Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson
― Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson
Language & Grammar
— 2177 members
— last activity Aug 19, 2026 08:02AM
This group is for word lovers and has topics both serious (grammatical questions and concerns) and not so serious (word play and word games of all sor ...more
Pankhurst’s 2025 Year in Books
Take a look at Pankhurst’s Year in Books, including some fun facts about their reading.
Favorite Genres
Polls voted on by Pankhurst
Lists liked by Pankhurst























