Alba Hacker

“There is one hour in his life when we see a flash of utter physical action on Christ's part, an hour when this most curious of men must have experienced the sheer joyous exuberance of a young mammal in full flight: when he lets himself go and flings over the first money changer's table in the Temple at Jerusalem, coins flying, doves thrashing into the air, oxen bellowing, sheep yowling, the money changer going head-over-teakettle, all heads turning, what the...? You don't think Christ got a shot of utter childlike physical glee at that moment? Too late to stop now, his rage rushing to his head, his veiny carpenter's-son wiry arms and hard feet milling as he whizzes through the Temple overturning tables, smashing birdcages, probably popping a furious money-changer here and there with a quick left jab or a well-placed Divine Right Elbow to the money-lending teeth, whipping his scourge of cords against the billboard-size flank of an ox, men scrambling to get out of the way, to grab some of the flying coins, to get a punch in on this nutty rube causing all the ruckus...

In all this holy rage and chaos, don't you think there was a little absolute boyish mindless physical jittery joy in the guy?”
― Brian Doyle, Credo: Essays on Grace, Altar Boys, Bees, Kneeling, Saints, the Mass, Priests, Strong Women, Epiphanies, a Wake, and the Haun

“Anger ignites fires or do fires ignite anger? Did the dispossessed, their rage burning within them for years, finally strike a match to enlighten an oblivious region of their dissatisfaction? Or were the fires the primary cause of the dissatisfaction, inciting through its searing heat, the fury which is colouring the country a bright crimson, as its people imitating the violence of the flames spill the blood of thousands?”
― Jinat Rehana Begum

“Her voice would die before she ran out of rage. She could scream a hole in her throat and come unraveled, fall to pieces like moth-chewed silk, and still, from the leftover shreds of her, the little pile of tatters, would pour forth this unending scream.”
― Laini Taylor, Muse of Nightmares

“A wave formed, swelling around Ariel's body. It lifted her up higher and higher- or maybe she herself was growing: it was hard to tell. She held the trident aloft. Storm clouds raced to her from all directions like a lost school of cichlid babies flicking to their father's mouth for protection. Lightning coursed through the sky and danced between the trident's tines.
Ariel sang a song of rage.
Notes rose and fell discordantly, her voice screeching at times like a banshee from the far north.
She sang, and the wind sang with her. It whipped her hair out of its braids and pulled tresses into tentacles that billowed around her head. She sang of the unfairness of Eric's fate and her own, of her father's torture as a polyp, even of Scuttle's mortal life, slowly but visibly slipping away.
Mostly she sang about Ursula.
She sang about everyone whose lives had been touched and destroyed by evil like coral being killed and bleached, like dead spots in the ocean from algae blooms, like scale rot. She sang about what she would do to anyone who threatened those she loved and protected.
And then, with her final note, she made a quick thrust as if to throw the trident toward the boats in the bay, pulling it back at the last moment.
A clap louder than thunder echoed across the ocean. A wave even larger than the one she rode roared up from the depths of the open sea. It smashed through and around her, leaving her hair and body white with foam. She grinned fiercely at the power of the moment. The tsunami continued on, making straight for Tirulia.
But... despite her rage... underneath it all the queen was still Ariel. Her momentary urge to destroy everything came and went like a single flash of summer lightning.”
― Liz Braswell, Part of Your World