Davida Coffie

“And he has the teacher's fear of being surpassed by the student, the master's dread of having the disciple discredit his work. (Not that I am in any real sense Nemur's student or disciple as Burt is.) I guess Nemur's fear of being revealed as a man walking on stilts among giants is understandable.”
― Daniel Keyes, Flowers for Algernon

“the American essayist Lewis Thomas on the semicolon: The semicolon tells you that there is still some question about the preceding full sentence; something needs to be added [ . . .] The period [or full stop] tells you that that is that; if you didn’t get all the meaning you wanted or expected, anyway you got all the writer intended to parcel out and now you have to move along. But with the semicolon there you get a pleasant feeling of expectancy; there is more to come; read on; it will get clearer. The Medusa and the Snail, 1979”
― Lynne Truss, Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation

“Each time Olan Chapman comes to life, his anti-quarks remain on the far side of the Time Wall. After his life cycle ends, his quarks collapse back to these roots, and – presto – America's most wanted man is ready for his next adventure.”
― Kyle Keyes, Worm Holes

“In Egypt, I loved the perfume of the lotus. A flower would bloom in the pool at dawn, filling the entire garden with a blue musk so powerful it seemed that even the fish and ducks would swoon. By night, the flower might wither but the perfume lasted. Fainter and fainter, but never quite gone. Even many days later, the lotus remained in the garden. Months would pass and a bee would alight near the spot where the lotus had blossomed, and its essence was released again, momentary but undeniable.”
― Anita Diamant, The Red Tent