adya

“As the last chimes die away, a series of contorted male shrieks rise up from somewhere nearby; a late coupling between the sheets or a few early knife thrusts into a belly? He smiles. Such are the sounds of his beloved city, the sounds indeed of the whole of Italy.”
― Sarah Dunant, In the Name of the Family

“He thinks, I remembered you, Thomas More, but you didn't remember me. You never even saw me coming.”
― Hilary Mantel, Wolf Hall

“Don’t look back, he had told the king: yet he too is guilty of retrospection as the light fades, in that hour in winter or summer before they bring in the candles, when earth and sky melt, when the fluttering heart of the bird on the bough calms and slows, and the night-walking animals stir and stretch and rouse, and the eyes of cats shine in the dark, when colour bleeds from sleeve and gown into the darkening air; when the page grows dim and letter forms elide and slip into other conformations, so that as the page is turned the old story slides from sight and a strange and slippery confluence of ink begins to flow. You look back into your past and say, is this story mine; this land? Is that flitting figure mine, that shape easing itself through alleys, evader of the curfew, fugitive from the day? Is this my life, or my neighbour’s conflated with mine, or a life I have dreamed and prayed for; is this my essence, twisting into a taper’s flame, or have I slipped the limits of myself—slipped into eternity, like honey from a spoon?”
― Hilary Mantel, The Mirror & the Light

“But if he pitied himself in those last difficult hours–because he was so young, because he was alone, because his body had betrayed him and his will had let him down– it’s not apparent from the photograph. He is smiling in the picture, and there is no mistaking the look in his eyes. Chris McCandless was at peace, serene as a monk gone to God.”
― Jon Krakauer