4ndromeda

“What I wanted to preserve was the turbulent gasp in his voice which lingered with me for days afterward and told me that, if I could have him like this in my dreams every night of my life, I'd stake my entire life on dreams and be done with the rest. (p. 109)”
― André Aciman, Call Me by Your Name

“What is life without this? which was why, in the end, it was I, and not her, who blurted out, not once, but many, many times, You'll kill me if you stop, you'll kill me if you stop, because it was also my way of bringing full circle the dream and the fantasy, me and him, the longed-for words from mouth to mouth, which was when I must have begun using obscenities that he repeated after me, softly at first, till he said, "Call me by your name and I'll call you by my name," which I'd never done in my life before and which, as soon as I said my own name as though it were his, took me to a realm I never shared with anyone in my life before, or since.”
― André Aciman, Call Me by Your Name

“Or are "being" and "having" thoroughly inaccurate verbs in the twisted skein of desire, where having someone's body to touch and being that someone we're longing to touch are one and the same, just opposite banks on a river that passes from us to them, back to us and over to them again in this perpetual circuit where the chambers of the heart, like the trapdoors of desire, and the wormholes of time, and the false-bottomed drawer we call identity share a beguiling logic according to which the shortest distance between real life and the life unlived, between who we are and what we want, is a twisted staircase designed with the impish cruelty of M. C. Escher.”
― André Aciman, Call Me by Your Name

“I wanted him dead too, so that if I couldn't stop thinking about him and worrying about when would be the next time I'd see him, at least his death would put an end to it. I wanted to kill him myself, even, so as to let him know how much his mere existence had come to bother me, how unbearable his ease with everything and everyone, taking all things in stride, his tireless I'm-okay-with-this-and-that, his springing across the gate to the beach when everyone else opened the latch first, to say nothing of his bathings suits, his spot in paradise, his cheeky Later!, his lip-smacking love for apricot juice. If I didn't kill him, then I'd cripple him for life, so that he'd be with us in a wheelchair and never go back to the States. If he were in a wheelchair, I would always know where he was, and he'd be easy to find. I would feel superior to him and become his master, now that he was crippled.

Then it hit me that I could have killed myself instead, or hurt myself badly enough and let him know why I'd done it. If I hurt my face, I'd want him to look at me and wonder why, why might anyone do this to himself, until, years and years later--yes, Later!--he'd finally piece the puzzle together and beat his head against the wall.”
― André Aciman, Call Me by Your Name