Meg

“It's not a remarkable note except for one thing. The typeface Tony used to print it is the exact typeface Kubrick used for the posters and title sequences of 'Eyes Wide Shut' and '2001'.
'It's Futura Extra Bold,' explains Tony. 'It was Stanley's favorite typeface. It's sans serif. He liked Helvetica and Univers too. Clean and elegant.'
'Is this the kind of thing you and Kubrick used to talk about?' I asked.
'God, yes,' says Tony. 'Sometimes late into the night. I was always trying to persuade him to turn away from them. But he was wedded to his sans serifs.”
― Jon Ronson, Lost At Sea: The Jon Ronson Mysteries

“To my grandmother, chagrin was a genuine physical disease. Like a hurt leg or a broken arm. To treat chagrin, you drank tea from leaves that only my grandmother and other old wise women could recognize.”
― Edwidge Danticat

“A terrified-looking bystander, a nerdy man in a sweater, calls the police and stammers into the phone: 'A huge group of people are fighting and there's pepper spray and superheroes and I don't know.”
― Jon Ronson

“Other signs of the apocalypse proliferate. After a pop-up ad appears on her screen, Vivian announces that she plans to sign up for Netflix. She buys a digital camera on Amazon with one click. She asks Molly if she's ever seen the sneezing baby panda video on YouTube. She even joins Facebook.”
― Christina Baker Kline, Orphan Train