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Tower of Dawn
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Sabahattin Ali
“The pain of losing something precious - be it happiness or material wealth – can be forgotten over time. But our missed opportunities never leave us, and every time they come back to haunt us, we ache. Or perhaps what haunts us is that nagging thought that things might have turned out differently. Because without that thought, we would put it down to fate and accept it.”
Sabahattin Ali, Kürk Mantolu Madonna

Paulina Flores
“Yo más que punto de vista, tengo miedo de no llegar a fin de mes.
Yo más que saber de tiempos verbales, maldigo mi educación.
Yo más que encontrar temas, estoy enfadada.
Yo más que estructura narrativa, tengo problemas para pagar el alquiler del lugar en que vivo.
Yo más que el desarrollo de personaje, tengo los mismos complejos físicos que tuvo y tiene mi mamá con su cuerpo.
Yo más que estilo, tengo envidia.
Yo más que argumento, necesito un trabajo estable y bien remunerado.
Yo más que crear intriga, estoy desesperada.
Yo más que lenguaje, tengo miedo.”
Paulina Flores, La próxima vez que te vea, te mato

Sabahattin Ali
“For me, love is something else entirely. It’s beyond all logic and impossible to describe or define. It’s one thing to like someone. To be consumed, body and soul, by desire is quite another. That’s what love is to me — desire that’s all-consuming. Desire that’s impossible to resist!”
Sabahattin Ali, Madonna in a Fur Coat

Sabahattin Ali
“Life is a game that is only played once, and I lost. There is no second chance.”
Sabahattin Ali, Kürk Mantolu Madonna

Hanya Yanagihara
“The axiom of equality states that x always equals x: it assumes that if you have a conceptual thing named x, that it must always be equivalent to itself, that it has a uniqueness about it, that it is in possession of something so irreducible that we must assume it is absolutely, unchangeably equivalent to itself for all time, that its very elementalness can never be altered. But it is impossible to prove. Always, absolutes, nevers: these are the words, as much as numbers, that make up the world of mathematics. Not everyone liked the axiom of equality––Dr. Li had once called it coy and twee, a fan dance of an axiom––but he had always appreciated how elusive it was, how the beauty of the equation itself would always be frustrated by the attempts to prove it. It was the kind of axiom that could drive you mad, that could consume you, that could easily become an entire life.

But now he knows for certain how true the axiom is, because he himself––his very life––has proven it. The person I was will always be the person I am, he realizes. The context may have changed: he may be in this apartment, and he may have a job that he enjoys and that pays him well, and he may have parents and friends he loves. He may be respected; in court, he may even be feared. But fundamentally, he is the same person, a person who inspires disgust, a person meant to be hated.”
Hanya Yanagihara, A Little Life

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