Manny Rocha

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Symbiotic Planet:...
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The Elegant Universe
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The Tempest
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William  James
“The most ancient parts of truth … also once were plastic. They also were called true for human reasons. They also mediated between still earlier truths and what in those days were novel observations. Purely objective truth, truth in whose establishment the function of giving human satisfaction in marrying previous parts of experience with newer parts played no role whatsoever, is nowhere to be found. The reasons why we call things true is the reason why they are true, for "to be true" means only to perform this marriage-function.”
William James, Pragmatism and Other Writings
tags: truth

Edmond Jabès
“I write by the light of what is not revealed in what I express. — Edmond Jabès, The Book of Questions, II. The Book of Yukel, III. Return to the Book] trans.by Rosmarie Waldrop (Wesleyan University Press, 1983)”
Edmond Jabès, The Book of Questions: Volume I [I. The Book of Questions, II. The Book of Yukel, III. Return to the Book]

Gilles Deleuze
“The time is coming when it will hardly be possible to write a book of philosophy as it has been done for so long: "Ah! the old style.... " The search for new means of philosophical expression was begun by Nietzsche and must be pursued today in relation to the renewal of certain other arts, such as the theater or the cinema. In this context, we can now raise the question of the utilization of the history of philosophy. It seems to us that the history of philosophy should play a role roughly analogous to that of collage in painting.”
Gilles Deleuze, Difference and Repetition

Slavoj Žižek
“We all know the classic scene in the cartoons: the cat reaches the precipice but goes on walking, ignoring the fact that there is no ground under hits fee; it starts to fall only when it looks down and notices the abyss.”
Slavoj Žižek, Event
tags: abyss

Slavoj Žižek
“Maybe we can use this Shakespearean triad of lunacy, lover and poet as a tool to propose a classification of events based on the Lacanian train of imaginary, Symbolic and Real: a lunatic dwells in the imaginary dimension, confusing reality and imagination; a lover identifies the beloved person with the absolute Thing in a symbolic short-circuit between signifier and signified which nonetheless maintains the gap that for ever separates them (the lover knows very well that, in reality, his or her beloved is an ordinary person with all his or her failures and weaknesses); a poet makes a phenomenon emerge against the background of the void of the Real.”
Slavoj Žižek, Event

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