Soph

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To Lie with Lions
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There's Always Th...
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Pictures at a Rev...
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See all 11 books that Soph is reading…
Book cover for In the Kitchen: Essays on Food and Life
There is something about the kitchen that invites intimacy. I suppose kitchens are a space for intimacy because I will touch with my hands the things that will go in your mouth; I will taste what you taste; I will work for you, or you will ...more
Soph
Ella Risbridger, Cupboard Love
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Jo Baker
“When she was a girl, and still growing, ravenous, whenever there had been a cake – a sponge cake, dusted with sugar, which Mrs Hill had conjured up out of eggs and flour and creamy butter – Sarah would never even let herself look at it, because she knew that it was not for her. Instead, she would carry it upstairs to be rendered into crumbs, and the crumbs lifted from the plate by a moistened Bennet finger, and the empty smeared plate carried back again. So Sarah would stare instead at the carpet underneath her feet, or at the painting of a horse with a strangely small head that hung at the end of the hall, or the rippled yellow curtains in the parlour, and would do her best not to breathe, not to inhale the scent of vanilla or lemon or almonds; even to glance at the cake was an impossible agony.
And for months, she realized, James had hardly looked at her at all.”
Jo Baker

Jenny Offill
“My plan was to never get married. I was going to be an art monster instead. Women almost never become art monsters because art monsters only concern themselves with art, never mundane things. Nabokov didn't even fold his own umbrella. Vera licked his stamps for him.”
Jenny Offill, Dept. of Speculation

“And the barman asked me if I was alright? Simple little question. And i said I was. And he said he'd make me a sandwich. And I said okay. And I nearly started crying--because you know, here was someone just...And I watched him. He took two big slices off a fresh loaf and buttered them carefully, spreading it all around. I'll never forget it. And then he sliced some cheese and cooked ham and an onion out of a jar, and put it all on a plate and sliced it down the middle. And, just someone doing this for me. And putting it down in front of me. 'Get that down you, now,' he said. And then he folded up his newspaper and put on his jacket, and went off on his break. And there was another barman then. And I took this sandwich up and I could hardly swallow it, because of the lump in my throat. But I ate i tall down because someone I didn't know had done this for me. Such a small thing. But a huge thing. In my condition.”
Conor McPherson, The Weir

Jenny Offill
“This is another way in which he is an admirable person. If he notices something is broken, he will try to fix it. He won’t just think about how unbearable it is that things keep breaking, that you can never fucking outrun entropy.”
Jenny Offill, Dept. of Speculation

Elaine Dundy
“There is a terrific movie which gets shown a lot around Art cinemas, even though it’s a very old one, and I always try to see it if I can. It’s called The Scoundrel’, and it has Noël Coward in it as this great Wolf. At one point when his latest victim comes round and begs him on her knees to take her back, he removes the boutonnière from the lapel of his dinner-jacket and murmuring Forgive-me-my-dear-for-stooping-to-symbolism, he tosses the flower into his highball and drowns it with a squirt of the soda-syphon. So you know what I mean? That’s the sort of thing I brought myself up on. I mean that’s more like it.”
Elaine Dundy

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