Soph

“The city’s a heart, I said, and in that a heart and a city were sutured into a third thing, a heartish city, and cities are heart-stained, and hearts are city-stained too.”
― China Miéville

“This is another way in which he is an admirable person. If he notices something is broken, he will try to fix it. He won’t just think about how unbearable it is that things keep breaking, that you can never fucking outrun entropy.”
― Jenny Offill, Dept. of Speculation

“My plan was to never get married. I was going to be an art monster instead. Women almost never become art monsters because art monsters only concern themselves with art, never mundane things. Nabokov didn't even fold his own umbrella. Vera licked his stamps for him.”
― Jenny Offill, Dept. of Speculation

“Okay, I said, what’s so hot about playing the piano?
She told me that the most important thing was to establish the tenderness right off the bat, or at least close to the top of the piece, just a hint of it, a whisper, but a deep whisper because the tension will mount, the excitement and the drama will build—I was writing it down as fast as I could—and when the action rises the audience might remember the earlier moment of tenderness, and remembering will make them long to return to infancy, to safety, to pure love, then you might move away from that, put the violence and agony of life into every note, building, building still, until there is an important decision to make: return to tenderness, even briefly, glancingly, or continue on with the truth, the violence, the pain, the tragedy, to the very end.”
― Miriam Toews