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“This is how you build secure attachment: through daily attunement to the subtle cues of other people and lavishing love and care, while letting them come and go as needed. In this kind of connection, you know your home base is always there for you, so you feel comfortable going out into the world, taking risks, trying new or scary things, because you can return to safe arms when you need to.”
― Turn This World Inside Out: The Emergence of Nurturance Culture
― Turn This World Inside Out: The Emergence of Nurturance Culture
“Are there no men present? Do you promise me that behind that red curtain over there the figure of Sir Chartres Biron is not concealed? We are all women, you assure me? Then I may tell you that the very next words I read were these—“Chloe liked Olivia . . .” Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women.
“Chloe liked Olivia,” I read. And then it struck me how immense a change was there. Chloe liked Olivia perhaps for the first time in literature. Cleopatra did not like Octavia. And how completely Antony and Cleopatra would have been altered had she done sol As it is, I thought, letting my mind, I am afraid, wander a little from Life’s Adventure, the whole thing is simplified, conventionalised, if one dared say it, absurdly. Cleopatra’s only feeling about Octavia is one of jealousy. Is she taller than I am? How does she do her hair? The play, perhaps, required no more. But how interesting it would have been if the relationship between the two women had been more complicated. All these relationships between women, I thought, rapidly recalling the splendid gallery of fictitious women, are too simple. So much has been left out, unattempted. And I tried to remember any case in the course of my reading where two women are represented as friends.”
― A Room of One’s Own
“Chloe liked Olivia,” I read. And then it struck me how immense a change was there. Chloe liked Olivia perhaps for the first time in literature. Cleopatra did not like Octavia. And how completely Antony and Cleopatra would have been altered had she done sol As it is, I thought, letting my mind, I am afraid, wander a little from Life’s Adventure, the whole thing is simplified, conventionalised, if one dared say it, absurdly. Cleopatra’s only feeling about Octavia is one of jealousy. Is she taller than I am? How does she do her hair? The play, perhaps, required no more. But how interesting it would have been if the relationship between the two women had been more complicated. All these relationships between women, I thought, rapidly recalling the splendid gallery of fictitious women, are too simple. So much has been left out, unattempted. And I tried to remember any case in the course of my reading where two women are represented as friends.”
― A Room of One’s Own
“The foundation of the female pelvis is composed of two hip bones, which come together to form a deep bowl that is filled by the uterus, ovaries, bladder, urethra, vagina, and colon.”
― Like a Mother: A Feminist Journey Through the Science and Culture of Pregnancy
― Like a Mother: A Feminist Journey Through the Science and Culture of Pregnancy
“In English-language speech, we spend five times as much time producing vowels as consonants. In singing, that ratio can hit two hundred to one.”
― Beginners: The Joy and Transformative Power of Lifelong Learning
― Beginners: The Joy and Transformative Power of Lifelong Learning
“Weeks after talking to Kristen Swanson, I couldn't stop thinking about something she said- that birth and life and death exist in women's bodies simultaneously.
I picture pregnancy loss as a primordial river rushing through me; it carries forces so big, they eclipse my imagination. It runs through my femoral artery and vena cava, through my spleen, my brain, and the chambers of my heart. At first, this force is strong like rapids, flooding everything. With time it slows, but it never goes away. It rearranges my cells like stones in a riverbed. It never stops running, even after I can no longer see it or feel it.”
― Like a Mother: A Feminist Journey Through the Science and Culture of Pregnancy
I picture pregnancy loss as a primordial river rushing through me; it carries forces so big, they eclipse my imagination. It runs through my femoral artery and vena cava, through my spleen, my brain, and the chambers of my heart. At first, this force is strong like rapids, flooding everything. With time it slows, but it never goes away. It rearranges my cells like stones in a riverbed. It never stops running, even after I can no longer see it or feel it.”
― Like a Mother: A Feminist Journey Through the Science and Culture of Pregnancy
Allie’s 2025 Year in Books
Take a look at Allie’s Year in Books, including some fun facts about their reading.
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