❀ Minesha ❀

“Speaking of names and all-time favorite romances, Bailey told me you write under a pen name. I've been really curious about that."
Fern groaned loudly. She shook her fist toward Bailey's house. "Curse your big mouth, Bailey Sheen" She looked at Ambrose with trepidation. "You are going to think I'm some stalker chick. That I'm totally obsessed. But you have to remember that I came up with this alter ego when I was sixteen and I was a bit obsessed. Okay, I'm still a bit obsessed."
"With what?" Ambrose was confused.
"With you," Fern's response was muffled as she buried her forehead in his chest, but Ambrose still heard her. He laughed and forced her chin up so he could see her face. "I still don't understand what that has to do with your pen name."
Fern sighed. "It's Amber Rose."
"Ambrose?"
"Amber Rose," Fern corrected.
"Amber Rose?" Ambrose sputtered.
"Yes," Fern said in a very, very small voice. And Ambrose laughed for a very, very long time.”
― Amy Harmon, Making Faces

“Why me, Bailey?” Ambrose shot back, his voice too loud for the sober setting. “Why not you, Ambrose?” Bailey bit back immediately, making Ambrose start as if Bailey had convicted him of a crime. “Why me? Why am I in a flipping wheelchair?” “And why Paulie and Grant? Why Jesse and Beans? Why do terrible things happen to such good people?” Ambrose asked. “Because terrible things happen to everyone, Brosey. We're all just so caught up in our own crap that we don't see the shit everyone else is wading through.”
― Amy Harmon, Making Faces

“Main characters never die in books. If they did, the story would be ruined, or over.”
“Everybody is a main character to someone. There are no minor characters.”
― Amy Harmon, Making Faces

“You love my art?"

Adam laughed. "Jesus, I tell you I love you and you're more interested with the fact that I love your fucking art? Yeah, Miles, I love your art. I love your smelly paints and weird concoctions and the way you run your hands throught your hair so it stands on end. I love your crazy-ass bird. I love the way you completely lose yourself so deeply in what you're doing that an atom bomb could go off next door and you wouldn't even notice. I love how you look when we've just made love, and I love when you're all pissy and cranky and yelling. I love this cottage and this resort and I love this room and I love your room. I love you." He took a deep breath and forced himself to meet Mile's eyes. "I love you. Do you...can you..."

"Moron," Miles said with a grin. He took Adam's hand and dragged him to Miles' own room.

There had to be six-no-eight-no, eleven portraits of Adam hanging on the walls of Miles' bedroom.”
― Rowan Speedwell, Illumination