Yash Raj

“This is an archetypal motif: where the pearl is, there is also the dragon, and vice versa. They are never separate. Frequently, just after the first intuitive realization of the Self, the powers of desolation and darkness break in. A terrible slaughtering always takes place at the time of the birth of the hero, as for instance the killing of the innocents at Bethlehem when Christ was born. Some persecuting power starts at once to blot out the inner germ. Outwardly, it is often that the innermost kernel of the human being has an actually irritating effect upon outer surroundings. Realization of the Self when in statu nascendi, when only a hunch, makes a person unadapted and difficult for those around, for it disturbs the unconscious instinctive order. Jung often said that it is as if a flock of sheep resented it bitterly that one sheep wanted to walk by itself.”
― Marie-Louise von Franz, The Feminine in Fairy Tales

“In the swan-maiden motif we have a hunter who is told of a beautiful woman who first appears as a swan. It is a question of how a man can get hold of his anima: he has to notice moods and half-unconscious thoughts which appear in the background of his consciousness, and hold on to them so that they cannot just disappear again. By writing down the mood or thought, he takes its volatility away and gives it a human quality. But doing it once is not enough. Even a man who has realized what the anima is can let her slip back into her feather garment and fly out of the window.”
― Marie-Louise von Franz, The Feminine in Fairy Tales: Revised Edition

“One alchemist observed that in the prima materia there is a certain intractable amount of terra damnata (accursed earth) that defies all efforts at transformation and must be rejected. Not all dark impulses lend themselves to redemption; certain ones, soaked in evil, cannot be allowed to break loose and must be severely repressed. What is against nature, against the instincts, has to be stopped by main force and eradicated. The expression "assimilation of the shadow" is meant to apply to childish, primitive, undeveloped sides of one's nature, depicted in the image of the child or the dog or the stranger. But there are deadly germs that can destroy the human being and must be resisted, and their presence means that one must be hard from time to time and not accept everything that comes up from the unconscious.”
― Marie-Louise von Franz, The Interpretation of Fairy Tales: Revised Edition

“This lowly activity is also a kind of compensation to persuade the woman to become feminine again. The effect of animus pressure can lead a woman to deeper femininity, providing she accepts the fact that she is animus-possessed and does something to bring her animus into reality. If she gives him a field of action- that is, if she takes up some special study or does some masculine work- this can occupy the animus, and at the same time her feeling will be vivified and she will come back to feminine activities. The worst condition comes about when a woman has a powerful animus, and does not even live it; then she is straightjacketed by animus opinions, and while she may avoid any sort of work that seems in the least masculine, she is much less feminine.”
― Marie-Louise von Franz, The Interpretation of Fairy Tales: Revised Edition