“Oh no – you think – he is typing rubbish about tofu to put off confirmation of the awful truth: that he is about to foist on us the feared Habsburg monarchy sea-mammal analogy.”
― Danubia: A Personal History of Habsburg Europe
― Danubia: A Personal History of Habsburg Europe
“In the usual proto-Art-Nouveau style, the sculptor follows through on an ethnographic hunch that surprising numbers of the tribal womenfolk would be in their late teens and free of clothing.”
― Danubia: A Personal History of Habsburg Europe
― Danubia: A Personal History of Habsburg Europe
“Werth says so many startling things: ‘Could what we call history be anything more than men’s vainest illusions? What we attribute to history in wartime and to the powerful in peacetime, isn’t it a sign of our own incapacity? We make history as the sick make sickness.’ 3”
― Lotharingia: A Personal History of Europe's Lost Country
― Lotharingia: A Personal History of Europe's Lost Country
“The Danes are so full of joie de vivre that they practically sweat it. In a corner of Europe where the inhabitants have the most blunted concept of pleasure (in Norway, three people and a bottle of beer is a party; in Sweden, the national sport is suicide), the Danes’ relaxed attitude to life is not so much refreshing as astonishing.”
― Neither Here Nor There: Travels in Europe
― Neither Here Nor There: Travels in Europe
“The prosecutor’s by obligation is a special mind,” he had written, “mongoose quick, bullying, devious, unrelenting, forever baited to ensnare. It is almost duty bound to mislead, and by instinct dotes on confusing and flourishes on weakness. Its search is for blemishes it can present as scars, its obligation to raise doubts or sour with suspicion. It asks questions not to learn but to convict, and can read guilt into the most innocent of answers. Its hope, its aim, its triumph is to addle a witness into confession by tricking, exhausting, or irritating him into a verbal indiscretion which sounds like a damaging admission. To natural lapses of memory it gives the appearance either of stratagems for hiding misdeeds or, worse still, of lies, dark and deliberate. Feigned and wheedling politeness, sarcasm that scalds, intimidation, surprise, and besmirchment by innuendo, association, or suggestion, at the same time that any intention to besmirch is denied—all these as methods and devices are such staples in the prosecutor’s repertory that his mind turns to them by rote.”
― Anatomy of a Murder
― Anatomy of a Murder
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