J.

“In reality every reader is, while he is reading, the reader of his own self. The writer's work is merely a kind of optical instrument which he offers to the reader to enable him to discern what, without this book, he would perhaps never have perceived in himself.”
― Marcel Proust

“The audience had run to beards and magenta shirts and original ways of arranging its neckwear; and not content with the ravages produced in its over-excitable nervous system by the remorseless workings of its critical intelligence, it had sat through a film of Japanese life called 'Yes,' made by a Norwegian film company in 1915 with Japanese actors, which lasted an hour and three-quarters and contained twelve close-ups of water-lilies lying perfectly still on a scummy pond and four suicides, all done extremely slowly.”
― Stella Gibbons, Cold Comfort Farm

“When a man invents an image that he wants to propagate, that he may even want to substitute for himself, he starts by experimenting, making mistakes, sketching out freaks and other non-viable monsters that he has to tear up unless they disintegrate of their own accord. But the operative image is the one that's left after the person dies or withdraws from the world, as in the case of Socrates, Christ, Saladin, Saint-Just and so on. They succeeded in projecting an image around themselves and into the future. It doesn't matter whether or not the image corresponds to what they were really like: they managed to wrest a powerful image from that reality.”
― Jean Genet, Prisoner of Love

“When people ask me whether I am a spy –‘are you now, or have you ever been?’ –I am tempted to reply with a hearty –‘Yes, and since the age of five.’ For a state of watchfulness must surely be the first requisite of a writer, as it is of a secret agent. A writer, like a spy, must prey upon his neighbours; like a spy he is dependent on those whom he deceives; like a spy he must somehow contrive to keep a distance from his own feelings and by doing so conjure up a package that will meet with the approval of his masters. Like a spy, he is not merely an outsider, but implicitly a subversive..”
― John le Carré