“Sometimes I go about in pity for myself, and all the while, a great wind carries me across the sky”
―
―
“As I sat there in Southwold overlooking the German Ocean, I sensed a quite clearly the earth's slow turning into the dark. The huntsmen are up in America, wrote Thomas Browne in the Garden of Cyrus and they are already past their first sleep in Persia. The shadow of the night is drawn like a black veil across the earth, and since almost all creatures, from one meridian to the next, lie down after the sun has set, so, he continues, one might, in following the setting sun, see on our globe nothing but prone bodies, row upon row, as if leveled by the scythe of Saturn – an endless graveyard for a humanity struck by falling sickness”
― The Rings of Saturn
― The Rings of Saturn
“It's silly not to hope. It's a sin he thought.”
― The Old Man and the Sea
― The Old Man and the Sea
“The creatures reproduce by flaking. The young, when shed by a parent, are indistinguishable from dandruff.
There is only one sex.
Every creature simply sheds flakes of his own kind, and his own kind is like everybody else's kind.
There is no childhood as such. Flakes begin flaking three Earthling hours after they themselves have been shed.
They do not reach maturity, then deteriorate and die. They reach maturity and stay in full bloom, so to speak, for as long as Mercury cares to sing.
There is no way in which one creature can harm another, and no motive for one’s harming another.
Hunger, envy, ambition, fear, indignation, religion, and sexual lust are irrelevant and unknown.
The creatures only have one sense: touch.
They have weak powers of telepathy. The messages they are capable of transmitting and receiving are almost as monotonous as the song of Mercury. They have only two possible messages. The first is an automatic response to the second, and the second is an automatic response to the first.
The first is, "Here I am, here I am, here I am."
The second is, "So glad you are, so glad you are, so glad you are.”
― The Sirens of Titan
There is only one sex.
Every creature simply sheds flakes of his own kind, and his own kind is like everybody else's kind.
There is no childhood as such. Flakes begin flaking three Earthling hours after they themselves have been shed.
They do not reach maturity, then deteriorate and die. They reach maturity and stay in full bloom, so to speak, for as long as Mercury cares to sing.
There is no way in which one creature can harm another, and no motive for one’s harming another.
Hunger, envy, ambition, fear, indignation, religion, and sexual lust are irrelevant and unknown.
The creatures only have one sense: touch.
They have weak powers of telepathy. The messages they are capable of transmitting and receiving are almost as monotonous as the song of Mercury. They have only two possible messages. The first is an automatic response to the second, and the second is an automatic response to the first.
The first is, "Here I am, here I am, here I am."
The second is, "So glad you are, so glad you are, so glad you are.”
― The Sirens of Titan
“The real damage is done by those millions who want to 'survive.' The honest men who just want to be left in peace. Those who don’t want their little lives disturbed by anything bigger than themselves. Those with no sides and no causes. Those who won’t take measure of their own strength, for fear of antagonizing their own weakness. Those who don’t like to make waves—or enemies. Those for whom freedom, honour, truth, and principles are only literature. Those who live small, mate small, die small. It’s the reductionist approach to life: if you keep it small, you’ll keep it under control. If you don’t make any noise, the bogeyman won’t find you. But it’s all an illusion, because they die too, those people who roll up their spirits into tiny little balls so as to be safe. Safe?! From what? Life is always on the edge of death; narrow streets lead to the same place as wide avenues, and a little candle burns itself out just like a flaming torch does. I choose my own way to burn.”
―
―
Jhonof’s 2024 Year in Books
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