Andréa Lechner

“I loved that the complexities of my emotions were understood by authors writing hundreds of years ago, I loved looking at their texts and trying to understand what they were aiming to do, to pull my own meaning from them, to point out what others didn’t see or notice—the repetition of blue imagery, the recapitulation of motifs of separation. I was good at that.”
― Julia May Jonas, Vladimir

“I wanted the past to go away, I wanted
to leave it, like another country; I wanted
my life to close, and open
like a hinge, like a wing, like the part of the song
where it falls
down over the rocks: an explosion, a discovery;
I wanted
to hurry into the work of my life; I wanted to know,

whoever I was, I was

alive
for a little while.”
― Mary Oliver, Dream Work

“Should we only portray the world we wanted to see? Should we consider certain stories “damaging,” and restrict them from a general audience, not trusting them to take in the story without internalizing the messaging? Hadn’t we all agreed that morality in art was bad? But art did cause damage, and I was affected by films I had seen when I was young, and I was ashamed when I watched an old film and saw racist depictions I hadn’t seen before, and I was glad to be ashamed. But did we all have to see ourselves in the presentations of types? Did I have to feel like every wife and mother was presenting an overarching narrative of Wife and Mother that reinforced or rejected my own experience?”
― Julia May Jonas, Vladimir

“You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.”
― Annie Proulx