Moses Mostad

“Raya knew this type of girl – they never liked her. Usually they’d make fun of her, behind her back, but loud enough for her to hear. She was too alternative, too poor and too cynical – the foster kid – to be of any interest to these social climbers.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“In a popular state the inhabitants are divided into certain classes,” Montesquieu affirmed in a Marxian manner a century before Marx! So, the popular state is a fiction; it is transient, fleeting, and for this reason — imaginable only. In its rigorous scientific sense of a class instrument, it is practically an empty matter sophism, a complete commonplaceness, an offspring of mental weakness. There is no such state! If it is a state, it is not popular! If it is popular, it is not a state yet! The State is a violent institution for social injustice generated by two main classes, which are main ones because they are at enmity… Any people closed in a state, are divided into classes. “For indeed any city, however small, is in fact divided into two, one the city of the poor, the other of the rich.”(Plato, The Republic).  Not Marx, still Plato said the truth!”
― Todor Bombov, Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face

“The best remedy for those who are frightened, lovely or unhappy is to go outside, somewhere they can be alone, alone with the sky, nature and God. For then and only then can you feel that everything is as it should be and that God wants people to be happy amid nature's beauty and simplicity.”
― Anne Frank, The Diary of a Young Girl

“I recall writing, long ago, that any new poem is rather like a little child who has been stationed with a large group of other small children in a playroom, where there are a limited number of toys and no adult supervision whatsoever. Those toys are the tricks, turns, and tropes of poetic language, Oscar Wilde’s “beautiful untrue things” that save the imagination from falling into “careless habits of accuracy.” Oscar, who worshipped and twice visited Walt during an American tour, charmingly termed criticism “the only civilized form of autobiography.” I have aged not, alas, into Wilde’s wit but into a firm conviction that true criticism recognizes itself as a mode of memoir.”
― Harold Bloom, The Daemon Knows: Literary Greatness and the American Sublime