Raphaela Leite
https://www.goodreads.com/raphaelaleite
For someone so skilled at reading every minute cue in a person’s movements and tone, Cassia was remarkably unaware Lio had just flirted with her.
“What's everyone talking about?"
"The end of The Iliad."
"That's the best part," Marx said.
"Why is it the best part?" Sadie asked.
"Because it's perfect," Marx said. "'Tamer of horses' is an honest profession. The lines mean that one doesn't have to be a god or a king for your life to have meaning.”
― Tomorrow, and Tomorrow, and Tomorrow
"The end of The Iliad."
"That's the best part," Marx said.
"Why is it the best part?" Sadie asked.
"Because it's perfect," Marx said. "'Tamer of horses' is an honest profession. The lines mean that one doesn't have to be a god or a king for your life to have meaning.”
― Tomorrow, and Tomorrow, and Tomorrow
“This,” Neil flicked his finger to indicate the two of them, “isn’t worthless.”
“There is no ‘this’. This is nothing.”
“And I am nothing,” Neil prompted. When Andrew gestured confirmation, Neil said, “And as you’ve always said, you want nothing.”
Andrew stared stone-faced back at him.”
― The King's Men
“There is no ‘this’. This is nothing.”
“And I am nothing,” Neil prompted. When Andrew gestured confirmation, Neil said, “And as you’ve always said, you want nothing.”
Andrew stared stone-faced back at him.”
― The King's Men
“I hate you,” Andrew said casually. He took a last long drag from his cigarette and flicked it off the roof. “You were supposed to be a side effect of the drugs.”
“I’m not a hallucination,” Neil said, nonplussed.
“You are a pipe dream,” Andrew said.”
― The King's Men
“I’m not a hallucination,” Neil said, nonplussed.
“You are a pipe dream,” Andrew said.”
― The King's Men
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