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Anders
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“A poetic form is essentially a codified pattern of silence. We have a little silence at the end of a line, a bigger one at the end of a stanza, and a huge one at the end of the poem. The semantic weight of the poem tends to naturally distribute itself according to that pattern of silence, paying especial care to the sounds and meanings of the words and phrases that resonate into the little empty acoustic of the line-ending, or the connecting hallway of stanza-break, or the big church of the poem's end.”
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“Lurking behind this connecting silence is a brooding suspicion over the extent to which the perceptual user-preferences of the human animal limit and distort its experience of reality, and the consequently unreliable nature of much of its thought. Poetry is the means by which we correct the main tool of that thought, language, for its anthropic distortions: it is language's self-corrective function, and everywhere challenges our Adamite inheritance - the catastrophic, fragmenting design of our conceptualizing machinery - through the insistence on a counterbalancing project, that of lyric unity.”
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Anders’s 2024 Year in Books
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