Nicole

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Cosmos
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American Gods
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by Neil Gaiman (Goodreads Author)
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I Am A Cat
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Carlos Ruiz Zafón
“Not evil. Moronic, which isn't quite the same thing. Evil presupposes a moral decision, intention, and some forethought. A moron or a lout, however, doesn't stop to think or reason. He acts on instinct, like a stable animal, convinced he's doing good, that he's always right, and sanctimoniously proud to go around f***ing up ... anyone he perceives to be different from himself, be it because of skin color, creed, language, nationality, or ... leisure habits. What the world needs is more thoroughly evil people and fewer borderline pigheads.”
Carlos Ruiz Zafón, The Shadow of the Wind

Gustave Flaubert
“Accustomed to the calm aspects of things, she turned, instead, toward the more tumultuous. She loved the sea only for its storms, and greenery only when it grew up here and there among ruins. She needed to derive from things a sort of personal gain; and she rejected as useless everything that did not contribute to the immediate gratification of her heart, — being by temperament more sentimental than artistic, in search of emotions and not landscapes.”
Gustave Flaubert, Madame Bovary

Gabriel García Márquez
“He was still too young to know that the heart's memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past.”
Gabriel García Márquez, Love in the Time of Cholera

Carlos Ruiz Zafón
“One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep.”
Carlos Ruiz Zafón, The Shadow of the Wind

Gabriel García Márquez
“To him she seemed so beautiful, so seductive, so different from ordinary people, that he could not understand why no one was as disturbed as he by the clicking of her heels on the paving stones, why no one else's heart was wild with the breeze stirred by the sighs of her veils, why everyone did not go mad with the movements of her braid, the flight of her hands, the gold of her laughter. He had not missed a single one of her gestures, not one of the indications of her character, but he did not dare approach her for fear of destroying the spell.”
Gabriel García Márquez, Love in the Time of Cholera

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