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Kien
https://www.goodreads.com/kien
“Critics are like eunuchs in a harem; they know how it's done, they've seen it done every day, but they're unable to do it themselves.”
―
―
“A man’s ignorance sometimes is not only useful, but beautiful, while his knowledge, so called, is oftentimes worse than useless beside being ugly. Which is the best man to deal with, he who knows nothing about a subject, and what is extremely rare, knows that he knows nothing, — or he who really knows something about it, but thinks that he knows all?”
― Walking
― Walking
“A good book is never exhausted. It goes on whispering to you from the wall. Books perfume and give weight to a room. A bookcase is as good as a view, as the sight of a city or a river. There are dawns and sunsets in books - storms, fogs, zephyrs.
I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work.
Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral portrait.
- in "About books; recoiling, rereading, retelling", The New York Times, February 22, 1987”
―
I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work.
Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral portrait.
- in "About books; recoiling, rereading, retelling", The New York Times, February 22, 1987”
―
“But how could he explain anything to them, when they understood good but not goodness, strong but not strength, black but not blackness?
Give us bread! the Savages cried. Heal us!
They were frightened by the consecrated wine, believing that the Black-Gowns drank human blood.
This is the blood of JESUS, said Pere Masse.
Was that a man? they asked.
He was the SON OF GOD, but He became a man to die for us. In memory of his sacrifice, we drink His blood.
At this they drew back and whispered in their language, with many terrified glances. ”
― Fathers and Crows: A Book of North American Landscapes
Give us bread! the Savages cried. Heal us!
They were frightened by the consecrated wine, believing that the Black-Gowns drank human blood.
This is the blood of JESUS, said Pere Masse.
Was that a man? they asked.
He was the SON OF GOD, but He became a man to die for us. In memory of his sacrifice, we drink His blood.
At this they drew back and whispered in their language, with many terrified glances. ”
― Fathers and Crows: A Book of North American Landscapes
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