Ezra

“You don’t care about those first three pages; those you will throw out, those you needed to write to get to that fourth page, to get to that one long paragraph that was what you had in mind when you started, only you didn’t know that, couldn’t know that, until you got to it.”
― Anne Lamott

“I'm a huge fan of mysteries; in fact, they're almost an addiction. If a week goes by without reading a mystery, I suffer withdrawal symptoms. Then I wander around like I'm sleepwalking and wake up in a bookshop, looking for a mystery novel. I've read just about every mystery story ever written...but it's not an intellectual pursuit; it's more like me getting my fill of gossip.”
― Sōji Shimada, The Tokyo Zodiac Murders

“Although there are many more things we could say about fourteenth-century England, probably enough has been said for you to have an idea of what it is like, prior to setting out. Only one question remains to be answered. Why should you want to set out in the first place? Or, to put it more bluntly, why should you actually want to see the living past? Is the fourteenth-century not better left for dead, a pile of parchments, monastic ruins, and museum artifacts? … History is not just about the analysis of evidence, unrolling vellum documents or answering exam papers. It is not about judging the dead. It is about understanding the meaning of the past - to realize the whole evolving human story over centuries, not just our own lifetimes.”
― Ian Mortimer, The Time Traveller's Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century

“What mystery novels need are – some might call me old-fashioned – a great detective, a mansion, a shady cast of residents, bloody murders, impossible crimes and never-before-seen tricks played by the murderer. Call it my castle in the sky, but I’m happy as long as I can enjoy such a world. But always in an intellectual manner.”
― Yukito Ayatsuji, The Decagon House Murders