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Book cover for The Last Painting of Sara de Vos
He’d sit before a Rembrandt or a Vermeer and feel guilty about it, as if he’d gone straight to the postcoital cigarette. Most
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Matt Haig
“played the piano every night and made the most superficial acquaintances with poets and painters and artists that often only lasted a night.”
Matt Haig, How to Stop Time

Matt Haig
“But if you stick with it, the elements of familiarity become clear. The current rhythm is speeding up. I am approaching a crescendo. Everything is happening all at once. That is one of the patterns: when nothing is happening, nothing continues to happen, but after a while the lull becomes too much and the drums need to kick in. Something has to happen. Often that need comes from yourself.”
Matt Haig, How to Stop Time

Matt Haig
“as was so often the case with anger, it was really just fear projecting outwards. The society was nothing – it had no”
Matt Haig, How to Stop Time

Nicole Krauss
“She was one of a group of girls he’d observed bloom from scraggly weeds into tropical beauties who churned the air around them into a dense humidity.”
Nicole Krauss, The History of Love

Sarah Winman
“A moment of authenticity when fate and blueprint collide and everything is not only possible, but within arm’s reach.”
Sarah Winman, Tin Man

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