lissa

“After all, what can a first impression tell us about someone we’ve just met for a minute in the lobby of a hotel? For that matter, what can a first impression tell us about anyone? Why, no more than a chord can tell us about Beethoven, or a brushstroke about Botticelli. By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration—and our unwavering determination to withhold our opinion until we have engaged with them in every possible setting at every possible hour.”
― Amor Towles, A Gentleman in Moscow

“Maybe it was because of how alive i felt. So completely young and filled to bursting with the scary, thrilling certainty my life was about to change in a big way.”
― Sally Thorne, The Hating Game

“There’s a bookcase lining an entire wall. By the window there’s an armchair and another lamp, with a stack of books illuminated beneath it. Even more books on the coffee table. I’m intensely relieved by this. What would I have done if he turned out to be a beautiful illiterate?”
― Sally Thorne, The Hating Game

“I have a theory. Hating someone feels disturbingly similar to being in love with them. I've had a lot of time to compare love and hate, and these are my observations.
Love and hate are visceral. Your stomach twists at the thought of that person. The heart in your chest beats heavy and bright, nearly visible through your flesh and clothes. Your appetite and sleep are schredded. Every interaction spikes your blood with adrenaline, and you're in the brink of fight or flight. Your body is barely under your control. You're consumed, and it scares you.
Both love and hate are mirror versions of the same game - and you háve to win. Why? Your heart and your ego. Trust me, I should know.”
― Sally Thorne, The Hating Game