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Arranging Things:...
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The Art of Thinki...
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Paulo Coelho
“The world was huge and inexhaustible...”
Paulo Coelho, The Alchemist

Kurt Vonnegut Jr.
“The most important thing I learnt on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present, and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just the way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever. When any Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments.”
Kurt Vonnegut, Slaughterhouse-Five

Kurt Vonnegut Jr.
“All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it moment by moment, and you will find that we are all, as I've said before, bugs in amber.”
Kurt Vonnegut, Slaughterhouse-Five

Kurt Vonnegut Jr.
“How nice -- to feel nothing, and still get full credit for being alive.”
Kurt Vonnegut, Slaughterhouse-Five

Marguerite Duras
“Very early in my life it was too late. It was already too late when I was eighteen. Between eighteen and twenty-five my face took off in a new direction. I grew old at eighteen. I don't know if it's the same for everyone, I've never asked. But I believe I've heard of the way time can suddenly accelerate on people when they're going through even the most youthful and highly esteemed stages of life. My ageing was very sudden. I saw it spread over my features one by one, changing the relationship between them, making the eyes larger, the expression sadder, the mouth more final, leaving great creases in the forehead. But instead of being dismayed I watched this process with the same sort of interest I might have taken in the reading of a book.”
Marguerite Duras, The Lover

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