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California Agains...
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  (page 112 of 344)
"had the privilege of seeing xia's new film recently and picked up a signed copy of this the next day.

so far, very good; told with the same nuance and on-the-ground approach as she described in the q&a after.

but what stands out most to me continues to be xia's capacity for evoking empathy, bringing an individual's story to the forefront of something larger than itself. perfect synecdoche."
Oct 15, 2025 09:16PM

 
Spring Snow
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read in August 2024
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  (page 194 of 389)
"sobbing and shaking" Sep 29, 2025 03:10PM

 
Empire of AI: Dre...
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Yukio Mishima
“The moment will come sometime—and that time is not too far off. And when it does—I can promise you right now—I shan't shrink from it. I've known supreme happiness, and I'm not greedy enough to want what I have to go on forever. Every dream ends. Wouldn't it be foolish, knowing that nothing lasts forever, to insist that one has a right to do something that does?”
Yukio Mishima, Spring Snow

Vladimir Nabokov
“We are absurdly accustomed to the miracle of a few written signs being able to contain immortal imagery, involutions of thought, new worlds with live people, speaking, weeping, laughing. We take it for granted so simply that in a sense, by the very act of brutish routine acceptance, we undo the work of the ages, the history of the gradual elaboration of poetical description and construction, from the treeman to Browning, from the caveman to Keats. What if we awake one day, all of us, and find ourselves utterly unable to read? I wish you to gasp not only at what you read but at the miracle of its being readable.”
Vladimir Nabokov, Pale Fire

Ryū Murakami
“The illusions again! thought Anemone. It's all a mirage, is it?... Well, fine! I'm sick of water anyway, sick to death of water. I'd rather suck on this mirage, I'd rather eat sand till I'm spitting blood than drink another drop of smelly water. The whole city stinks of age and stagnation and boredom, and it makes Sachiko as sick as it does me; but she goes on listening to the same old songs, trying to keep from dying of boredom, while I'd rather puke it all out, puke up a great cloud of boredom and let it rain down all over Tokyo, rain till your lungs rot in your chest, till the streets crack and wash away and rivers of puke run between the buildings ... puke going higher and higher, the air so thick it chokes you, and mangroves sprouting from the cracks in the sidewalks... the old trees washed up by the roots, rotting in little pools to become nests for poisonous bugs, horny bugs that hatch out in swarms to creep all over you, Sachiko, like things in the worst nightmares you ever thought up in your orgies of booze and cum, to crawl over you and lay their eggs right on your skin, hatching their squirmy little babies from your rotting body. Sachiko, dear, this room is already a nursery for the creeping and crawling, and you're a rotting pusbag for them to feed on...”
Ryū Murakami, Coin Locker Babies

Ryū Murakami
“Fashion is the silliest, vainest game there is, which is exactly why it's so much fun. Do you know what clothes and makeup are for? Why we put them on? It's simple: just to take them off, to have something to strip away in order to feel naked. Clothes are there to make other people think about what they can't see. But that, of course, is the great joke, because when you strip off the clothes and wash off all the makeup, what do you have? Zero, that's what. But then again, that's the fun of it, don't you think?”
Ryū Murakami, Coin Locker Babies

Ryū Murakami
“There in that pool stained green with blood, he had learned two things: one was that all the pain stopped when you stopped fighting death; and the other was that as long as you could still hear your heart beating, you had to keep fighting back.”
Ryū Murakami, Coin Locker Babies

1094709 Dawson's AP Literature '20-'21 — 54 members — last activity Sep 14, 2020 09:16PM
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